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Related Music Theory Alchemy

“Maxwell’s Silver Hammer” by The Beatles features a popular song structure and a mix of common chord progression techniques. The distinct progressions within the verse repeat throughout the song, but the chords and structures themselves are fairly common within rock and pop music. It mixes the standard I-IV-V (in this case, D-A-G) progression with the ii-V-I progression (in this case, Em-A-D), both of which are staples of songwriting in a variety of genres.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

The Beatles – Maxwells Silver Hammer – Verse 2

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Chord Progression

[‘D’, ‘B7’, ‘Em’, ‘A7’, ‘D’, ‘A’, ‘E7’, ‘A7’]

Chord Progression Analysis

Here is the roman numeral analysis and full chord names of Verse 2:

– D Major (I)
– B7 Major (VI7)
– E Minor (ii)
– A7 Major (V7)
– D Major (I)
– A Major (V)
– E7 Major (II7)
– A7 Major (V7)

The E7 Major (II7) and B7 (VI7) are the borrowed chords.

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Borrowed Chords: E7 Major (II7), B7 Major (VI7)
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Similar Chord Progressions

Creedence Clearwater Revival’s “Bad Moon Rising”

– D Major (I)
– A Major (V)
– G Major (IV)
– D Major (I)

The Monkees’s “I’m a Believer”

– G Major (I)
– D Major (V)
– C Major (IV)
– G Major (I)

These songs employ similar use of dominant and subdominant chords, although the role of secondary dominants is more pronounced in the Beatles’ progression.

Musical Analysis

Chord progression touches different diatonic chords of D Major, the tonic home key. The sudden switch to B7 serves as a secondary dominant that introduces E minor, the subdominant of D major. This is a great example of a chromatic secondary dominant, which The Beatles were known for using. Further, the E7 acts as a secondary dominant to the A7, the dominant of D Major.

Overall Analysis

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

Style Analysis

Pick out any Beatles song, and more likely than not, you’ll find it peppered with secondary dominants. “Maxwell’s Silver Hammer” is no exception. The song features a cheerful, upbeat tempo and tone despite its dark lyrical content, a classic Beatles contrast. Time signature is 4/4, maintaining a constant easy beat.

Chords in the Verse 2 section of Maxwells Silver Hammer by The Beatles are:

[‘D’, ‘B7’, ‘Em’, ‘A7’, ‘D’, ‘A’, ‘E7’, ‘A7’]