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The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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The song “Penny Lane” written by the Beatles is in the key of A major. The structure of Verse 4, specifically, has a very effective use of both diatonic (belonging naturally to the key) and borrowed chords (taken from a different key or mode). They have incorporated secondary dominants, pivot modulation, and modal interchange which reflect their knowledge of musical theory and compositional skills.

The Beatles – Rocky Raccoon – Verse 4

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii), Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii)

The full chords are:

“`
Am7 – A-minor 7th
D7sus4 – D major dominant 7th (suspended 4th)
D7 – D major dominant 7th
G7 – G major dominant 7th
C – C major
C/B – C major / B (inversion)
“`

There are no outright borrowed chords, as each chord belongs in the key of G major, but there are two chord alterations. The D7sus4 (suspended 4th) that resolves to D7 introduces tension, and the G7 is a dominant 7th in the root position, rather than the typical tonal resolution from a V7 or V7sus4 chord to a I chord.

Similar Chord Progressions

The ii-V-I progression is one of the most common progressions in jazz and pops up a lot in popular music as well. Songs like “Creep” by Radiohead (G – B – C – Cm) and “Run Away with Me” by Carly Rae Jepsen (G – B – Am – G – B) contain similar elements to the ii-V-I progression found in “Rocky Raccoon”, though they are in different keys.

For “Creep”:
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G (I), B (III), C (IV), Cm (iv)
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For “Run Away with Me”:
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G (I), B (III), Am (ii), G (I), B (III)
“`

Musical Analysis

In the chord progression, you can see a clear ii-V-I progression (Am7-D7-G7) that is very popular in jazz, making the music trickier than the typical pop I-IV-V or ii-V-I progression. The C/B chord is an inversion of the C chord that creates a descending bass line from C to B to Am7, offering a sense of forward motion and driving the progression back to the beginning of the cycle.

Overall Analysis

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

Style Analysis

“Rocky Raccoon” by The Beatles reflects their talent for seamlessly mixing different musical influences. The verse chord progression has a folk or country flavor, emphasized by the G7 and C/B chords, with some jazz influences in the ii-V-I progression.

Chords in the Verse 4 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]