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Related Music Theory Alchemy

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

The Beatles’ “With A Little Help From My Friends” is in the key of E major and the coda chord progression special in its context. It is a clear example of a piece from the pop or rock genre exhibiting a distinctive use of chord progressions and modulation without adhering strictly to the classical traditions. Common prevailing characteristics of music by The Beatles are exemplified in this piece through its use of borrowed chords, chromatic mediants, and modal interchange, providing a distinct harmonic color and texture.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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The Beatles – Rocky Raccoon – Verse 4

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii), Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii)

The full chords are:

“`
Am7 – A-minor 7th
D7sus4 – D major dominant 7th (suspended 4th)
D7 – D major dominant 7th
G7 – G major dominant 7th
C – C major
C/B – C major / B (inversion)
“`

There are no outright borrowed chords, as each chord belongs in the key of G major, but there are two chord alterations. The D7sus4 (suspended 4th) that resolves to D7 introduces tension, and the G7 is a dominant 7th in the root position, rather than the typical tonal resolution from a V7 or V7sus4 chord to a I chord.

Similar Chord Progressions

The ii-V-I progression is one of the most common progressions in jazz and pops up a lot in popular music as well. Songs like “Creep” by Radiohead (G – B – C – Cm) and “Run Away with Me” by Carly Rae Jepsen (G – B – Am – G – B) contain similar elements to the ii-V-I progression found in “Rocky Raccoon”, though they are in different keys.

For “Creep”:
“`
G (I), B (III), C (IV), Cm (iv)
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For “Run Away with Me”:
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G (I), B (III), Am (ii), G (I), B (III)
“`

Musical Analysis

In the chord progression, you can see a clear ii-V-I progression (Am7-D7-G7) that is very popular in jazz, making the music trickier than the typical pop I-IV-V or ii-V-I progression. The C/B chord is an inversion of the C chord that creates a descending bass line from C to B to Am7, offering a sense of forward motion and driving the progression back to the beginning of the cycle.

Overall Analysis

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

Style Analysis

“Rocky Raccoon” by The Beatles reflects their talent for seamlessly mixing different musical influences. The verse chord progression has a folk or country flavor, emphasized by the G7 and C/B chords, with some jazz influences in the ii-V-I progression.

Chords in the Verse 4 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]