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Related Music Theory Alchemy

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Radiohead – Exit Music For A Film – Verse 2

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A

Chord Progression Analysis

“`
A minor (i),
E major (V),
C major / G (VI/G),
Dadd9 / F# (IVadd9/F#),
A minor (i),
E major (V),
Asus4 (i sus4),
A major (I)
“`

Borrowed chords:
“`
C major / G (VI/G) and Dadd9 / F# (IVadd9/F#)
“`

Similar Chord Progressions

1. Pink Floyd – “Breathe” Chord progression:
“`
Em9 (ii9),
A7sus4 (IV7 sus4),
A7 (IV7),
Dmaj7 (VII maj7),
Fmaj7#11 (III maj7 #11)
“`

2. Coldplay – “Clocks” Chord progression:
“`
Ebmaj7 (III maj7),
Bbm/Bb (iii),
Fm/Bb (vi11),
Gm/C (vii7/C)
“`

These chord progressions are examples of other artists incorporating non-diatonic and creative harmonic structures in their compositions, similar to Radiohead’s “Exit Music (For a Film).”

Musical Analysis

The chord progression includes tension-creating elements, such as the non-diatonic Dadd9/F# (over the F# bass note), which can be seen as a borrowed chord from the parallel major (A major) and the VI chord in first inversion (C/G). Another point of interest is the E major chord which appears twice and works as a dominant chord to lead back to A minor and A major at different points. The progression also features a brief moment of suspension with Asus4, resolving to A major. These elements give the chord progression a sense of disorientation, moodiness, and emotional depth.

Overall Analysis

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

Style Analysis

Radiohead is known for their innovative and unconventional approach to songwriting and harmony. “Exit Music (For a Film)” exemplifies this style by incorporating non-diatonic and borrowed chords, creating an unsettling and emotional atmosphere. This type of chord progression is characteristic of alternative and art rock styles, where traditional musical boundaries are often pushed.

Chords in the Verse 2 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A