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The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Radiohead – Exit Music For A Film – Verse 2

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A

Chord Progression Analysis

“`
A minor (i),
E major (V),
C major / G (VI/G),
Dadd9 / F# (IVadd9/F#),
A minor (i),
E major (V),
Asus4 (i sus4),
A major (I)
“`

Borrowed chords:
“`
C major / G (VI/G) and Dadd9 / F# (IVadd9/F#)
“`

Similar Chord Progressions

1. Pink Floyd – “Breathe” Chord progression:
“`
Em9 (ii9),
A7sus4 (IV7 sus4),
A7 (IV7),
Dmaj7 (VII maj7),
Fmaj7#11 (III maj7 #11)
“`

2. Coldplay – “Clocks” Chord progression:
“`
Ebmaj7 (III maj7),
Bbm/Bb (iii),
Fm/Bb (vi11),
Gm/C (vii7/C)
“`

These chord progressions are examples of other artists incorporating non-diatonic and creative harmonic structures in their compositions, similar to Radiohead’s “Exit Music (For a Film).”

Musical Analysis

The chord progression includes tension-creating elements, such as the non-diatonic Dadd9/F# (over the F# bass note), which can be seen as a borrowed chord from the parallel major (A major) and the VI chord in first inversion (C/G). Another point of interest is the E major chord which appears twice and works as a dominant chord to lead back to A minor and A major at different points. The progression also features a brief moment of suspension with Asus4, resolving to A major. These elements give the chord progression a sense of disorientation, moodiness, and emotional depth.

Overall Analysis

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

Style Analysis

Radiohead is known for their innovative and unconventional approach to songwriting and harmony. “Exit Music (For a Film)” exemplifies this style by incorporating non-diatonic and borrowed chords, creating an unsettling and emotional atmosphere. This type of chord progression is characteristic of alternative and art rock styles, where traditional musical boundaries are often pushed.

Chords in the Verse 2 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A