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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

The Beatles – Cant Buy Me Love – Verse 1

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

`C7 (V7/IV) –> F7 (IV7) –> C (I)`

These chords fit perfectly into the structure of the commonly used I-IV-V progression in classical and modern Western music. Yet, the inclusion of a dominant 7th chord on the tonic is quite unique.

In a Major key, a dominant seventh chord (V7) often leads to a resolution on the tonic (I) chord. Here, ‘F7’ (rather than ‘F’) serves as the IV chord, and is preceded by a secondary dominant (V7 of IV), ‘C7’, which creates a strong pull towards ‘F7’.

`Borrowed Chord: F7 (from C minor)`

The use of ‘F7’ (IV7), particularly, is an example of borrowed chord, often found in Blues and other types of music that incorporate blue notes. This chord is borrowed from C minor (the parallel minor of C Major).

Similar Chord Progressions

An example of another song that uses a similar approach through incorporation of secondary dominants and blues-oriented dominant 7th chords is The Beatles’ own “I Want to Hold Your Hand” (`D (I) –> G (IV) –> D (I) –> E7 (V7/IV) –> A7 (V7/V) –> D (I)`).

Aside from The Beatles, artists like Chuck Berry and Buddy Holly used dominant 7th chords frequently. A song like “Johnny B. Goode” (`Bb (I) –> Eb7 (IV7) –> Bb (I)`) or Buddy Holly’s “That’ll Be The Day” (`A (I) –> D7 (IV7) –> E7 (V7) –> A (I)`) also share certain similarities with “Can’t Buy Me Love”.

Musical Analysis

The Beatles often incorporate elements of blues and jazz into their music, and “Can’t Buy Me Love” is no exception. The use of dominant 7th chords in the progression, particularly the secondary dominant and the borrowed chord from the parallel minor, adds to the bluesy feel of this song while still conforming to pop song structure norms.

Overall Analysis

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Style Analysis

This track is a blend of rock and roll and pop, with high-energy, uptempo rhythm and catchy melodies. It’s light-hearted and upbeat in terms of style, and the use of distinct chord progressions like a secondary dominant leading to a borrowed chord add a layer of complexity setting The Beatles’ work apart from many contemporaries.

Chords in the Verse 1 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]