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Related Music Theory Alchemy

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

The Beatles – Cant Buy Me Love – Verse 1

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

`C7 (V7/IV) –> F7 (IV7) –> C (I)`

These chords fit perfectly into the structure of the commonly used I-IV-V progression in classical and modern Western music. Yet, the inclusion of a dominant 7th chord on the tonic is quite unique.

In a Major key, a dominant seventh chord (V7) often leads to a resolution on the tonic (I) chord. Here, ‘F7’ (rather than ‘F’) serves as the IV chord, and is preceded by a secondary dominant (V7 of IV), ‘C7’, which creates a strong pull towards ‘F7’.

`Borrowed Chord: F7 (from C minor)`

The use of ‘F7’ (IV7), particularly, is an example of borrowed chord, often found in Blues and other types of music that incorporate blue notes. This chord is borrowed from C minor (the parallel minor of C Major).

Similar Chord Progressions

An example of another song that uses a similar approach through incorporation of secondary dominants and blues-oriented dominant 7th chords is The Beatles’ own “I Want to Hold Your Hand” (`D (I) –> G (IV) –> D (I) –> E7 (V7/IV) –> A7 (V7/V) –> D (I)`).

Aside from The Beatles, artists like Chuck Berry and Buddy Holly used dominant 7th chords frequently. A song like “Johnny B. Goode” (`Bb (I) –> Eb7 (IV7) –> Bb (I)`) or Buddy Holly’s “That’ll Be The Day” (`A (I) –> D7 (IV7) –> E7 (V7) –> A (I)`) also share certain similarities with “Can’t Buy Me Love”.

Musical Analysis

The Beatles often incorporate elements of blues and jazz into their music, and “Can’t Buy Me Love” is no exception. The use of dominant 7th chords in the progression, particularly the secondary dominant and the borrowed chord from the parallel minor, adds to the bluesy feel of this song while still conforming to pop song structure norms.

Overall Analysis

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Style Analysis

This track is a blend of rock and roll and pop, with high-energy, uptempo rhythm and catchy melodies. It’s light-hearted and upbeat in terms of style, and the use of distinct chord progressions like a secondary dominant leading to a borrowed chord add a layer of complexity setting The Beatles’ work apart from many contemporaries.

Chords in the Verse 1 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]