Music Theory Alchemy

Search

Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

The Smashing Pumpkins – Tonight Tonight – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]

Chord Progression Analysis

Here’s the chorus part of the progression:

Cadd9 (Iadd9), G/B (V6), D (II), Em (iii), Am (vi), Cadd9 (Iadd9), G/B (V6), D (II), G (V), D/F# (V6), Em (iii)

“`Cadd9 here is a borrowed chord from the C Major Scale.“`

Similar Chord Progressions

1. “High and Dry” by Radiohead

In the verse: [“Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V), “Gmin” (ii), “Dmin” (vi), “Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V)]

2. “Don’t Look Back in Anger” by Oasis

In the chorus: [“Cadd9” (Iadd9), “G” (V), “Am” (vi), “Em” (iii), “F” (IV), “G” (V), “C” (I), “Am” (vi), “E7” (III7)]

Note: While these examples may not have the exact same chord progression, they have similar elements such as the usage of added 9th chords and chord inversions.

Musical Analysis

C’s (1st and 7th) and G/B (2nd and 8th), as well as D (3rd) make a descending bass line (C-B-A-G-F#). These choices of inversion and the use of added notes (Cadd9) brings depth and saturated harmonic content to the tonal landscape. Then, Em (4th), Am (5th), and the other chords that follow continue to enhance the expressiveness of the song with further tonal palette expansion.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Style Analysis

Smashing Pumpkins often utilize intricate chord progressions and a copious use of add chords and inversions, which can be seen in the chorus of “Tonight, Tonight”. This song also showcases their use of both ‘classic’ and non-standard tunings that provide a unique twist to their alternative rock sound.

Chords in the Chorus section of Tonight Tonight by The Smashing Pumpkins are:

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]