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Related Music Theory Alchemy

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

The Smashing Pumpkins – 1979 – Bridge

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Chord Progression

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The song is in the Key of E Major. The chord progression in the Bridge is constructed as:

“`C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – F# Minor7 (ii7) – B Major (V) – E Major 7 (IMaj7) – E Major (I)“`

In code block:

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“C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – F# Minor7 (‘ii7’) – B Major (‘V’) – E Major 7 (‘IMaj7’) – E Major (‘I’)”
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Similar Chord Progressions

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Similar to the vi-IV-V-I progression used in ‘1979’, Green Day has used similar progression in their hit song ’21 Guns’:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Coldplay’s ‘The Scientist’ also shares a familiar chord progression:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Avril Lavigne’s ‘Complicated’ also involves a similar progression:

“`F Major (I) – C Major (V) – Bb Major (IV) – D minor (vi)“`

In code block:

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“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“F Major (‘I’) – C Major (‘V’) – Bb Major (‘IV’) – D minor (‘vi’)”
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Musical Analysis

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This chord progression revolves around the vi-IV-V, which is a popular progression in pop music as it creates a strong sense of resolution when it finally lands on the ‘I’ chord. It begins and ends on the ‘E’ while it deviates slightly in the middle by incorporating an F# minor 7 chord, which works as a borrowed chord and provides a unique flavor to the progression.

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Overall Analysis

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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Style Analysis

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The Smashing Pumpkins are known for their diverse approach to songwriting, often incorporating various music styles ranging from pop, punk, gothic rock, and heavy metal. Their chord progressions often have a sense of resolution but with unexpected twists which make their music unpredictable yet melodically strong. ‘1979’ is an excellent example of this stylization as it combines the use of common and borrowed chords to create a distinctive sound.

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Chords in the Bridge section of 1979 by The Smashing Pumpkins are:

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]