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The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The Smashing Pumpkins – 1979 – Chorus 2

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]

Chord Progression Analysis

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* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* B (‘V’)

“`Borrowed chords: none in this particular section“`

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Similar Chord Progressions

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1. The Beatles – “Something”: The verses follow a similar structure with their usage of maj7 chords, albeit in a different key.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), Am7 (‘vim7’), D7 (‘II7’)

2. Radiohead – “Paranoid Android”: Incorporates maj7 chords and progresses in a similar oscillating manner, but in a different key and with the addition of a minor iv chord.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), G (‘V’), Fmaj7 (‘IVmaj7’), Fm (‘iv’)

Please note that the use of maj7 chords in the context of rock genre is a distinguishing feature. While not identical, these pieces showcases similar stylistic choices.

Musical Analysis

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This progression oscillates between E and E major 7th, marking a standard I-Imaj7 progression. Transition from Emaj7 to Amaj7 presents a smooth stepwise up movement in the bass(From E to G# to A), hence creating a light dissonance but resolves it in the next E chord. Concluding in the B chord intensifies a strong melodic pull back to the tonic.

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Overall Analysis

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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Style Analysis

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The Smashing Pumpkins are known for their innovative fusion of different genres. While ‘1979’ maintains a strong rock sensibility, it exhibits interesting incorporations of jazz elements, as evident in the inclusion of major 7th chords. Repeated use of the same chords underlies a characteristic feature of pop-rock genre – repetition and the use of catchy, addictive loops.

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Chords in the Chorus 2 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]