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Related Music Theory Alchemy

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

The Smashing Pumpkins – 1979 – Chorus 2

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]

Chord Progression Analysis

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* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* B (‘V’)

“`Borrowed chords: none in this particular section“`

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Similar Chord Progressions

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1. The Beatles – “Something”: The verses follow a similar structure with their usage of maj7 chords, albeit in a different key.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), Am7 (‘vim7’), D7 (‘II7’)

2. Radiohead – “Paranoid Android”: Incorporates maj7 chords and progresses in a similar oscillating manner, but in a different key and with the addition of a minor iv chord.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), G (‘V’), Fmaj7 (‘IVmaj7’), Fm (‘iv’)

Please note that the use of maj7 chords in the context of rock genre is a distinguishing feature. While not identical, these pieces showcases similar stylistic choices.

Musical Analysis

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This progression oscillates between E and E major 7th, marking a standard I-Imaj7 progression. Transition from Emaj7 to Amaj7 presents a smooth stepwise up movement in the bass(From E to G# to A), hence creating a light dissonance but resolves it in the next E chord. Concluding in the B chord intensifies a strong melodic pull back to the tonic.

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Overall Analysis

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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Style Analysis

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The Smashing Pumpkins are known for their innovative fusion of different genres. While ‘1979’ maintains a strong rock sensibility, it exhibits interesting incorporations of jazz elements, as evident in the inclusion of major 7th chords. Repeated use of the same chords underlies a characteristic feature of pop-rock genre – repetition and the use of catchy, addictive loops.

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Chords in the Chorus 2 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]