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This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

Tame Impala – Alter Ego – Chorus

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Chord Progression

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]

Chord Progression Analysis

– ‘Am’ (i)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘E’ (V)
– ‘A’ (IV/ii – borrowed from A major)
– ‘G’ (bVII – borrowed from A major)
– ‘Fmaj7’ (VI)
– ‘Cmaj7’ (III – borrowed from A major)
– ‘Bsus4’ (ii, suspending the 3rd)
– ‘Bm7’ (ii)

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Borrowed Chords: ‘A’ (IV/ii), ‘G’ (bVII), ‘Cmaj7’ (III)
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Similar Chord Progressions

– “Because” by The Beatles has a similar use of a pattern of chords in the choruses, cycling between Emaj7, C#m, Cm, G#m, and G#m7.

– “Breathe” by Pink Floyd has a similar vibe with a revolving chord progression alternating between Bm7, A(add9), and Gmaj.

– “Marquee Moon” by Television presents a psychedelic sound with a similar vibe, the chord progression alternates between F#m, Emaj7, Dmaj7, C#m, Bm7, and Amaj7.

Bear in mind, none of these songs perfectly match ‘Alter Ego’, but they might have inspired aspects of it.

Musical Analysis

The progression starts with an ‘Am’ (i) and continuously alternates between ‘Fmaj7’ (VI) and ‘Em’ (v) chords for 9 times. This gives the feeling of suspension and tension, pairing well with the psychedelic rock genre. The pattern breaks at the ‘E’ (V) major chord, providing some predictable resolution. We then have a deceptive cadence with the ‘A’ (IV in A major) and ‘G’ (bVII in A major). The usage of ‘Cmaj7’ (III) and ‘Bsus4’ to ‘Bm7’ is similarly notable as these chords fall outside of the normal.

Overall Analysis

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

Style Analysis

Tame Impala is known for their fusion of classic psychedelic rock with modern synthesized sounds, and ‘Alter Ego’ is no exception. The Meandering progression contributes to a “dream-like” state, matched with ethereal synth and guitar tones, harkening back to late ’60s and early ’70s influences like Pink Floyd. But there’s also a frequent incorporation of more modern sounds and effects that bring the music to the present. This track might also reflect the influence of jazz, notable in the usage of the maj7, m7, and sus4 extended chords.

Chords in the Chorus section of Alter Ego by Tame Impala are:

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]