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“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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Portishead – Sour Times – Verse 3

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Chord Progression

[‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’]

Chord Progression Analysis

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Together, the chords form the following progression:

`C#m – C – E/B – E/G#`

In relation to the C# minor key, they are:

`C#m (‘i’) – C Major (‘♭VII’) – E Major/B (‘III/V’) – E Major/G# (‘III’)`

This repeats and forms the harmonic foundation for the verse of the song.

The `C Major` is a borrowed chord from the parallel key, C# Major. The `E Major/B` and `E Major/G#` are slash chords that implies a melodic movement in the bass.

“`markdown
Borrowed Chord:
C Major (‘♭VII’)
“`

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Similar Chord Progressions

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The use of borrowed chords from the parallel major/minor key is quite common in popular music. Similar chord progressions can be found in the works of Radiohead and The Beatles among others.

For instance, Radiohead’s “Paranoid Android” contains a notable borrowed chord progression: `G – B – C – Cm` in the key of G.

`G Major (‘I’) – B Major (‘III’) – C Major (‘IV’) – C Minor (‘iv’)`

The `B Major` is borrowed from the parallel key, G minor, and the `C Minor` is similarly borrowed from G minor.

The Beatles’ “While My Guitar Gently Weeps” also showcases a borrowed chord: `A – Amaj7 – A7 – D`.

`A Major (‘I’) – A Major 7th (‘I7’) – A Dominant 7th (‘I7’) – D Major (‘IV’)`

Here, the `A Dominant 7th` is borrowed from the parallel minor key, A minor.

Musical Analysis

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The chord progression stands out for its brooding and suspenseful atmosphere, which is heightened by the minor key tonality and the use of a borrowed chord. By borrowing the `C Major` chord from the parallel major key, an interesting contrast is created. This along with the atmospheric textures of the song lends a sense of unease and tension to the music.

The `E Major/B` and `E Major/G#` are slash chords, which indicate a specified bass note other than the root of the chord. In this case, the bass note moves from B to G# while the chord remains the same – E Major. This creates a smooth and intricate bass line within the chord progression.

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Overall Analysis

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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Style Analysis

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“Sour Times” is characteristic of Portishead’s distinctive style, which combines elements of trip hop, downtempo, and electronic music with jazz and film score aesthetics. This chord progression is emblematic of these influences as it uses complex harmonic devices such as borrowed chords and slash chords to create an atmospheric and cinematic musical backdrop.

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Chords in the Verse 3 section of Sour Times by Portishead are:

[‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’]