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“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

Portishead – Glory Box – Verse 1

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Chord Progression

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]

Chord Progression Analysis

“`
Dm (‘i’)
Dm/C (‘i with VII in bass’)
Bm7b5 (‘vi half-diminished 7’)
Bbmaj7 (‘VII Seventh Major’)
“`

Similar Chord Progressions

A similar chord progression can be found in Radiohead’s “Paranoid Android” where the verse progression is Cm, Cm/B, Bm7b5, Bb7. They share similar elements including the mixed usage of major 7, diminished 5 and chromatic scale.

An exact track with this same progression is unlikely due to the rather unique nature of the progression, but songs in the same genre may share a similar mood. You will find many songs with similar vibes in the trip-hop genre, for example Massive Attack’s “Teardrop”.

Musical Analysis

Starting with a Dm chord, the song immediately gives a minor key atmosphere. The use of the Dm/C transition chord adds more tension, leading into the Bm7b5 which is a half-diminished chord and further adds to the tension and dark coloring of the piece. Lastly, the Bbmaj7 seems like a satisfying resolution after the tension built up but being a major chord, it adds a slightly bitter-sweet touch.

Overall Analysis

“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.

Style Analysis

“Glory Box”, like many trip-hop songs from the 90s, uses chromaticism and a minor key to elicit a melancholic mood, and combines this with sampled beats and electronica influences to create a darker sound. The use of minor and diminished chords, dominant sevenths and transitions demonstrate the jazz and blues elements often found in the genre.

Chords in the Verse 1 section of Glory Box by Portishead are:

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]