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Related Music Theory Alchemy

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

Portishead – Glory Box – Verse 1

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Chord Progression

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]

Chord Progression Analysis

“`
Dm (‘i’)
Dm/C (‘i with VII in bass’)
Bm7b5 (‘vi half-diminished 7’)
Bbmaj7 (‘VII Seventh Major’)
“`

Similar Chord Progressions

A similar chord progression can be found in Radiohead’s “Paranoid Android” where the verse progression is Cm, Cm/B, Bm7b5, Bb7. They share similar elements including the mixed usage of major 7, diminished 5 and chromatic scale.

An exact track with this same progression is unlikely due to the rather unique nature of the progression, but songs in the same genre may share a similar mood. You will find many songs with similar vibes in the trip-hop genre, for example Massive Attack’s “Teardrop”.

Musical Analysis

Starting with a Dm chord, the song immediately gives a minor key atmosphere. The use of the Dm/C transition chord adds more tension, leading into the Bm7b5 which is a half-diminished chord and further adds to the tension and dark coloring of the piece. Lastly, the Bbmaj7 seems like a satisfying resolution after the tension built up but being a major chord, it adds a slightly bitter-sweet touch.

Overall Analysis

“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.

Style Analysis

“Glory Box”, like many trip-hop songs from the 90s, uses chromaticism and a minor key to elicit a melancholic mood, and combines this with sampled beats and electronica influences to create a darker sound. The use of minor and diminished chords, dominant sevenths and transitions demonstrate the jazz and blues elements often found in the genre.

Chords in the Verse 1 section of Glory Box by Portishead are:

[‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’, ‘Dm’, ‘Dm/C’, ‘Bm7b5’, ‘Bbmaj7’]