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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Elton John – Sorry Seems To Be The Hardest Word – Verse 3

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Chord Progression

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]

Chord Progression Analysis

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E minor (i), A minor (iv), D Major (VII), D7 (VII7), G Major (III), F#m7b5 (ii half-diminished 7), B7sus4 (V7sus4), E minor (i),
E minor 7 (i7), A minor (iv), F#m7b5 (ii half-diminished 7), B7 (V7), E minor (i), A minor 9 (iv9), F#m7b5 (ii half-diminished 7), B7 (V7), E minor 7 (i7)
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The D Major (VII) is a borrowed chord from E Dorian mode while the G Major (III) is a borrowed from E major key or the relative major of E minor. F#m7b5 and B7 are part of the diatonic chords in the E minor key, acting as the ii half-diminished 7 and V7, respectively. The use of B7sus4 and then resolving it to B7 creates a suspenseful atmosphere, increasing the emotional impact of the progression.

Similar Chord Progressions

There are a few other songs that use similar sophisticated chord progressions, such as “Something” by The Beatles, which also heavily uses borrowed chords and unconventional progressions for a pop song. The opening chord progression for “Something” is:

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C Major (I), Cmaj7 (IM7), C7 (Idom7), F Major (IV), D7 (VII7), G (V), Am (vi), Am/G (vi7)
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The opening chord progression of “Hotel California” by The Eagles is an another excellent example of a song that uses a similar harmonic structure:

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B Minor (i), F#/A# (V/vi), G (bVI), G/F# (bVI/V), D (IV), D/F# (IVmaj7/V), E (V), E/F# (V/I)
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Each of these songs, like “Sorry Seems to Be the Hardest Word,” uses borrowed chords and sophisticated harmonic structures to create a unique and emotional sound.

Musical Analysis

The verse begins with a typical minor progression, moving from the home key E minor (i) to A minor (iv), giving a melancholic mood to the verse. The descending bass line gives a rather more melancholic feel to the song. D Major (VII), a borrowed chord from the Dorian mode, means the progression lacks the strong back to tonic resolution. This makes the song sound more uncertain and complex. The substitution of F#m7b5 (ii half-diminished 7) for the usual ii diminished chord also adds an element of tension and dissonance.

Overall Analysis

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

Style Analysis

Elton John employs a sophisticated harmony in his songs, often using borrowed chords or changing keys for added dimension. This song is characteristic of his style, showcasing his willingness to explore more complex harmonic relationships and extend traditional pop song structures.

Chords in the Verse 3 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]