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Related Music Theory Alchemy

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Elton John – Sorry Seems To Be The Hardest Word – Verse 3

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Chord Progression

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]

Chord Progression Analysis

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E minor (i), A minor (iv), D Major (VII), D7 (VII7), G Major (III), F#m7b5 (ii half-diminished 7), B7sus4 (V7sus4), E minor (i),
E minor 7 (i7), A minor (iv), F#m7b5 (ii half-diminished 7), B7 (V7), E minor (i), A minor 9 (iv9), F#m7b5 (ii half-diminished 7), B7 (V7), E minor 7 (i7)
“`
The D Major (VII) is a borrowed chord from E Dorian mode while the G Major (III) is a borrowed from E major key or the relative major of E minor. F#m7b5 and B7 are part of the diatonic chords in the E minor key, acting as the ii half-diminished 7 and V7, respectively. The use of B7sus4 and then resolving it to B7 creates a suspenseful atmosphere, increasing the emotional impact of the progression.

Similar Chord Progressions

There are a few other songs that use similar sophisticated chord progressions, such as “Something” by The Beatles, which also heavily uses borrowed chords and unconventional progressions for a pop song. The opening chord progression for “Something” is:

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C Major (I), Cmaj7 (IM7), C7 (Idom7), F Major (IV), D7 (VII7), G (V), Am (vi), Am/G (vi7)
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The opening chord progression of “Hotel California” by The Eagles is an another excellent example of a song that uses a similar harmonic structure:

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B Minor (i), F#/A# (V/vi), G (bVI), G/F# (bVI/V), D (IV), D/F# (IVmaj7/V), E (V), E/F# (V/I)
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Each of these songs, like “Sorry Seems to Be the Hardest Word,” uses borrowed chords and sophisticated harmonic structures to create a unique and emotional sound.

Musical Analysis

The verse begins with a typical minor progression, moving from the home key E minor (i) to A minor (iv), giving a melancholic mood to the verse. The descending bass line gives a rather more melancholic feel to the song. D Major (VII), a borrowed chord from the Dorian mode, means the progression lacks the strong back to tonic resolution. This makes the song sound more uncertain and complex. The substitution of F#m7b5 (ii half-diminished 7) for the usual ii diminished chord also adds an element of tension and dissonance.

Overall Analysis

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

Style Analysis

Elton John employs a sophisticated harmony in his songs, often using borrowed chords or changing keys for added dimension. This song is characteristic of his style, showcasing his willingness to explore more complex harmonic relationships and extend traditional pop song structures.

Chords in the Verse 3 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]