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Related Music Theory Alchemy

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

Elton John – Dont Let The Sun Go Down On Me – Verse 2

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Chord Progression

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]

Chord Progression Analysis

“`
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
G Major (‘V’),
C/G (‘IV’),
G Major (‘V’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
C/G (‘IV’),
G Major (‘V’)
“`
The ‘bVII’ (Bb/F) is a borrowed chord from the parallel minor key (C minor). It’s a common pop music move that adds tension before resolving back to the ‘IV’ (F Major).

Similar Chord Progressions

1. “Hey Jude” by The Beatles follows a similar progression in its verses but remains in the key of F Major.
2. “Sweet Child O’ Mine” by Guns N’ Roses also uses a I-IV-V progression, along with the bVII (borrowed from the parallel minor), much like “Don’t Let The Sun Go Down On Me.”
3. “Let It Be” by The Beatles uses a similar progression, though it includes a minor vi chord.

Musical Analysis

Elton John masterfully employs inversions, borrowing the F over Bb chord from the parallel minor, and then utilizing secondary dominants like the G7, to create anticipation before landing back on the tonic or dominant.

Overall Analysis

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

Style Analysis

Elton John’s style is marked by a blend of pop, rock, and classical influences, with an emphasis on rich, colorful chord progressions and strong, memorable melodies. His use of borrowed chords and inversions in “Don’t Let The Sun Go Down On Me” are classic Elton John.

Chords in the Verse 2 section of Dont Let The Sun Go Down On Me by Elton John are:

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]