Music Theory Alchemy

Search

Related Music Theory Alchemy

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

Elton John – Dont Let The Sun Go Down On Me – Verse 2

Add To Favorites Remove From Favorites

Chord Progression

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]

Chord Progression Analysis

“`
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
G Major (‘V’),
C/G (‘IV’),
G Major (‘V’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
C/G (‘IV’),
G Major (‘V’)
“`
The ‘bVII’ (Bb/F) is a borrowed chord from the parallel minor key (C minor). It’s a common pop music move that adds tension before resolving back to the ‘IV’ (F Major).

Similar Chord Progressions

1. “Hey Jude” by The Beatles follows a similar progression in its verses but remains in the key of F Major.
2. “Sweet Child O’ Mine” by Guns N’ Roses also uses a I-IV-V progression, along with the bVII (borrowed from the parallel minor), much like “Don’t Let The Sun Go Down On Me.”
3. “Let It Be” by The Beatles uses a similar progression, though it includes a minor vi chord.

Musical Analysis

Elton John masterfully employs inversions, borrowing the F over Bb chord from the parallel minor, and then utilizing secondary dominants like the G7, to create anticipation before landing back on the tonic or dominant.

Overall Analysis

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

Style Analysis

Elton John’s style is marked by a blend of pop, rock, and classical influences, with an emphasis on rich, colorful chord progressions and strong, memorable melodies. His use of borrowed chords and inversions in “Don’t Let The Sun Go Down On Me” are classic Elton John.

Chords in the Verse 2 section of Dont Let The Sun Go Down On Me by Elton John are:

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]