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Related Music Theory Alchemy

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

Elton John – Dont Let The Sun Go Down On Me – Chorus

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Chord Progression

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]

Chord Progression Analysis

Here is an analysis of the repeating chorus sequence and the Roman numerals (relative to the key of C Major).

“`
C (I) – C/Bb (I7) – F/A (IV6) – D7/F# (V7 of ii with 3rd in bass) – C/G (I64) – F/C (IV64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Dm (ii) – C/E (I6) – F (IV) – C/G (I64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Ab6 (bVI6, borrowed from C minor) – Bb (bVII, also borrowed from minor) – C (I)
“`
Note that C/Bb, described as I7 here, is more accurately a chromatically descending bass line within the tonic chord.

Similar Chord Progressions

The progression employed in this track is unique and shows Elton John’s specific style. However, there are other songs which have similarities. The sequential use of diatonic and chromatic chords can be found in the Beatles’ music, for instance, they frequently used chromatic mediant relationships, secondary dominant chords and borrowed chords, which is reflected in songs like “In My Life” and “I Want to Hold Your Hand”. You can also consider Billy Joel’s “New York State of Mind” for the use of rich and inventive harmonic structures. Still, these are not exact matches but share some stylistic consistencies.

Musical Analysis

The use of seventh and sixth chords, inverted chords, and borrowed chords from the parallel minor aid in creating a sense of tension, release, and musical interest through an otherwise relatively straightforward progression. The descending bass line in the first couplet of the chorus creates a ‘falling’ or ‘sinking’ sensation which ties into the theme of despair in the lyrics.

Overall Analysis

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Style Analysis

Elton John often displays a fondness for complex chord changes and sophisticated harmonies in his music. This song continues this trend with its unexpected shifts, like the transition to the D7/F#, typically used as secondary dominant to the ii chord, and the borrowed chords.

Chords in the Chorus section of Dont Let The Sun Go Down On Me by Elton John are:

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]