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The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

The chorus of Pink Floyd’s “Comfortably Numb” is a perfect example of their signature sound, combining both rock and progressive elements. The harmonic structure is simple yet effective, providing a sense of resolution and stability throughout the progression. This, combined with the smooth melodic lines, gives listeners a feeling of being “comfortably numb.”

Elton John – Dont Let The Sun Go Down On Me – Chorus

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Chord Progression

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]

Chord Progression Analysis

Here is an analysis of the repeating chorus sequence and the Roman numerals (relative to the key of C Major).

“`
C (I) – C/Bb (I7) – F/A (IV6) – D7/F# (V7 of ii with 3rd in bass) – C/G (I64) – F/C (IV64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Dm (ii) – C/E (I6) – F (IV) – C/G (I64) – G (V) – C (I)
C/Bb (I7) – F/A (IV6) – Ab6 (bVI6, borrowed from C minor) – Bb (bVII, also borrowed from minor) – C (I)
“`
Note that C/Bb, described as I7 here, is more accurately a chromatically descending bass line within the tonic chord.

Similar Chord Progressions

The progression employed in this track is unique and shows Elton John’s specific style. However, there are other songs which have similarities. The sequential use of diatonic and chromatic chords can be found in the Beatles’ music, for instance, they frequently used chromatic mediant relationships, secondary dominant chords and borrowed chords, which is reflected in songs like “In My Life” and “I Want to Hold Your Hand”. You can also consider Billy Joel’s “New York State of Mind” for the use of rich and inventive harmonic structures. Still, these are not exact matches but share some stylistic consistencies.

Musical Analysis

The use of seventh and sixth chords, inverted chords, and borrowed chords from the parallel minor aid in creating a sense of tension, release, and musical interest through an otherwise relatively straightforward progression. The descending bass line in the first couplet of the chorus creates a ‘falling’ or ‘sinking’ sensation which ties into the theme of despair in the lyrics.

Overall Analysis

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Style Analysis

Elton John often displays a fondness for complex chord changes and sophisticated harmonies in his music. This song continues this trend with its unexpected shifts, like the transition to the D7/F#, typically used as secondary dominant to the ii chord, and the borrowed chords.

Chords in the Chorus section of Dont Let The Sun Go Down On Me by Elton John are:

[‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’, ‘C/Bb’, ‘F/A’, ‘D7/F#’, ‘C/G’, ‘F/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Dm’, ‘C/E’, ‘F’, ‘C/G’, ‘G’, ‘C’, ‘C/Bb’, ‘F/A’, ‘Ab6’, ‘Bb’, ‘C’]