Search

Related Music Theory Alchemy

“Just the Two of Us” by Grover Washington Jr. is a sample gold mine for those interested in jazz, soul, and RnB influenced chord progressions. This song, co-written with Bill Withers, perfectly illustrates the fusion of jazz and pop music. The song is primarily in C Major key but it makes significant use of secondary dominant chords, and borrowed chords from parallel keys which are typical characteristics of jazz-inflected pop.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

Grover Washington Jr. – Just The Two Of Us – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]

Chord Progression Analysis

The song is in C Major. Here are the full chord names along with their Roman numeral analysis:

“`
C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), C Major 7 (‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’), D minor 7 (‘iim7’), G7 (‘VMaj7’), C Major 7(‘IMaj7’), B7 (‘bIIMaj7’ – borrowed chord), E minor 7 (‘iiim7’)
“`
The dominant B7 chord is borrowed from the parallel minor key (C minor), hence a borrowed chord.

Similar Chord Progressions

A similar progression can be found in “Isn’t She Lovely” by Stevie Wonder, which likewise uses dominant 7th and minor 7th chords, primarily for a jazzy, soulful aesthetic.

The progression is as follows:

“`
E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’), G#m7 (‘iiim7’), C#m7 (‘iiim7’), C7 (‘bVIIMaj7’ – borrowed chord), F#m7 (‘iim7’), B7 (‘VMaj7’), E Major 7 (‘IMaj7’), A7 (‘IV7’), D Major 7 (‘VIIMaj7’)
“`

Musical Analysis

The chord progression utilizes an interesting mix of diatonic and chromatic movements. The transition between a Cmaj7 and a B7 uses chromatic motion, dropping the chord by a half step, while the movement from B7 to Em7 is a common dominant-tonic relationship in minor keys.

Trial

Overall Analysis

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

Style Analysis

This smooth progression is characteristic of the R&B and jazz influences present in Grover Washington Jr.’s music. The use of 7th chords and chromaticism creates an intricate, mellow sound, giving the song its relaxed and easy-going vibe.

Chords in the Verse 1 section of Just The Two Of Us by Grover Washington Jr. are:

[‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Cmaj7’, ‘B7’, ‘Em7’, ‘Dm7’, ‘G7’, ‘Cmaj7’, ‘B7’, ‘Em7’]