Music Theory Alchemy

Search

Related Music Theory Alchemy

**
The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

**

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

Dolly Parton – Jolene – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘C’, ‘G’, ‘Am’, ‘G’, ‘Em’, ‘Am’, ‘Am’, ‘C’, ‘G’, ‘Am’, ‘G’, ‘Em’, ‘Am’]

Chord Progression Analysis

The chord progression for the verse is as follows:

– A minor (i)
– C Major (III)
– G Major (VII)
– A minor (i)
– G Major (VII)
– E minor (v)
– A minor (i)
– A minor (i)

The G Major (VII) chord is borrowed from the parallel major key (A Major). This is a common technique in different genres, adding a touch of unexpected brightness to the harmonic progression.

“`Borrowed Chord: G Major (VII)“`

Similar Chord Progressions

“Creep” by Radiohead features a similarly structured chord progression. Like “Jolene,” it also uses a simple, repeated progression with a borrowed major chord from the parallel major key.

– C Major (I)
– E minor (iii)
– D Major (II – borrowed from C# minor)
– G Major (V)

Here the D Major is the borrowed chord, serving a similar function to the G Major in “Jolene” – adding brightness and intrigue to a primarily darker, minor-key progression.

Musical Analysis

The key of the song is A minor, which gives it a moody, introspective character. The harmonic rhythm – the rate at which the chords change – is regular, giving a steady, relentless feel to the music which matches the lyrical content of the song.

The borrowed G Major chord temporarily brightens the mood and adds a touch of drama to the otherwise minor-key progression.

Overall Analysis

“Jolene” by Dolly Parton is a classic country song written in A minor. Its chord progression is an iconic reflection of the country and folk genres, and is a study of simplicity and effective songwriting.

The chord progression of “Jolene” uses primarily diatonic chords but also includes a borrowed chord which introduces a touch of complexity to the harmonic structure of the song.

Style Analysis

Dolly Parton’s “Jolene” reflects the classic elements of country and folk music, with its repeated, simple chord progression, emphasis on storytelling, and the use of both diatonic and borrowed chords to create a rich, engaging harmony.

The steady, relentless rhythm in the chords reflects the theme of the song about a woman pleading with another not to take her man away. The use of a minor key gives the song a sad, pleading quality, while the borrowed G Major chord adds a touch of urgency and passion.

Chords in the Verse section of Jolene by Dolly Parton are:

[‘Am’, ‘C’, ‘G’, ‘Am’, ‘G’, ‘Em’, ‘Am’, ‘Am’, ‘C’, ‘G’, ‘Am’, ‘G’, ‘Em’, ‘Am’]