Search

Related Music Theory Alchemy

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Keane – Somewhere Only We Know – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

The chord progression provided falls under the key of C Major and can be analyzed as follows:

C Major (I), C Major with B Bass (I with VII bass or I64), D Minor (ii), Gsus4 (Vsus4), G Major (V), and it repeats.

In other words:

“`C Major (I) -> C Major/B (I64) -> D Minor (ii) -> Gsus4 (Vsus4) -> G Major (V)“`

Each of these chords are diatonic to the key of C Major and there are no borrowed chords present.

Similar Chord Progressions

The chord progression of “Somewhere Only We Know” is quite common in pop music. For example, the verse of “Someone Like You” by Adele shares a similar progression:

“`A Major (I) -> A Major/G# (I64) -> B Minor (ii) -> E Major (IV) -> E Major (IV)“`

Another example is “Hey Jude” by The Beatles:

“`F Major (I) -> F Major/E (I64) -> G Minor (ii) -> C Major (V) -> C Major (IV)“`

These songs also feature the step-wise descending bass line and typical I to ii progression. The difference lies in the resolution; “Somewhere Only We Know” uses a Vsus4 to V resolution, whereas these examples don’t incorporate suspended chords.

Musical Analysis

The chord progression gives the song its signature feeling of movement and build-up, characteristic for pop ballads. The transition to the C/B introduces a step-wise descent in the bass line adding depth to the progression and the move to the Dm (a typical ii chord) further elaborates on the harmonic complexity. The delayed resolution created by the Gsus4 to the G major gives the song its emotional impact, as the listeners await the resolve of the suspension.

Overall Analysis

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Style Analysis

The progression is typical of pop style, with the repetitive chord progression creating a predictable and approachable palette for listeners. The balance between major and minor chords, along with the suspension to resolution pattern, keeps the song intriguing while maintaining a sense of melodic familiarity.

Chords in the Verse 2 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]