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Related Music Theory Alchemy

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

Keane – Somewhere Only We Know – Verse 2

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

The chord progression provided falls under the key of C Major and can be analyzed as follows:

C Major (I), C Major with B Bass (I with VII bass or I64), D Minor (ii), Gsus4 (Vsus4), G Major (V), and it repeats.

In other words:

“`C Major (I) -> C Major/B (I64) -> D Minor (ii) -> Gsus4 (Vsus4) -> G Major (V)“`

Each of these chords are diatonic to the key of C Major and there are no borrowed chords present.

Similar Chord Progressions

The chord progression of “Somewhere Only We Know” is quite common in pop music. For example, the verse of “Someone Like You” by Adele shares a similar progression:

“`A Major (I) -> A Major/G# (I64) -> B Minor (ii) -> E Major (IV) -> E Major (IV)“`

Another example is “Hey Jude” by The Beatles:

“`F Major (I) -> F Major/E (I64) -> G Minor (ii) -> C Major (V) -> C Major (IV)“`

These songs also feature the step-wise descending bass line and typical I to ii progression. The difference lies in the resolution; “Somewhere Only We Know” uses a Vsus4 to V resolution, whereas these examples don’t incorporate suspended chords.

Musical Analysis

The chord progression gives the song its signature feeling of movement and build-up, characteristic for pop ballads. The transition to the C/B introduces a step-wise descent in the bass line adding depth to the progression and the move to the Dm (a typical ii chord) further elaborates on the harmonic complexity. The delayed resolution created by the Gsus4 to the G major gives the song its emotional impact, as the listeners await the resolve of the suspension.

Overall Analysis

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Style Analysis

The progression is typical of pop style, with the repetitive chord progression creating a predictable and approachable palette for listeners. The balance between major and minor chords, along with the suspension to resolution pattern, keeps the song intriguing while maintaining a sense of melodic familiarity.

Chords in the Verse 2 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]