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Related Music Theory Alchemy

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Coldplay – Viva La Vida – Verse 3

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

Details with full chord names and their roman numerals are as below, and code block for borrowed chord:

“`
C Major (IV)
D Major (V)
G Major (I)
E minor (vi)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (IV)
G Major (I)
A minor (ii)
E minor (vi)
“`

2. “No Woman, No Cry” by Bob Marley:
“`
C Major (IV)
G Major (I)
A minor (ii)
F Major (III)
“`
These songs share the same feature of transitioning from a IV or V chord to the I, then to the vi chord. This I-V-vi-IV pattern, which “Viva la Vida” follows, is one of the most common chord progressions in popular music.

Musical Analysis

The chord progression of “Viva la Vida” can be viewed in terms of tonic (I), subdominant (IV) and dominant (V) harmonic areas. The initial progression of C (IV) to D (V) creates a sense of movement and tension; G (I) comes across as a resolution or return to base after a journey, with the tension eased. The following E minor (vi) is a common minor substitute for the tonic that alters the colour of the progression and provides an effective contrast before returning to the beginning of the cycle.

Overall Analysis

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Style Analysis

The repeated chord progression throughout the song is a common feature in pop and rock music. It provides a strong harmonic backbone to support Coldplay’s catchy melody, and its simplicity allows for some level of predictability, which is relatable for listeners. The tone of the song is anthemic and uplifting due to the use of major and minor chords, this is signature to Coldplay’s music style which often combines rock and pop elements with layered textures and anthemic choruses.

Chords in the Verse 3 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]