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“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Coldplay – Viva La Vida – Verse 1

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

The verse chord progression is as follows:

– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)
– C Major (“IV”)
– D Major (“V”)
– G Major (“I”)
– E minor (“vi”)

This progression can be described as a iv-V-I-vi progression, common in many different styles of music.

“`code
Borrowed Chord: None in this progression.
“`

Similar Chord Progressions

1. In the song “Let It Be” by Beatles, we can find a similar progression in the chorus:
– C Major (“IV”)
– G Major (“I”)
– A minor (“ii”)
– F Major (“V”)

2. The song “Over The Rainbow” by Judy Garland returns to this chord progression fixing on the timeless iv-V-I-vi progression:
– C Major (“I”)
– E minor (“iii”)
– F Major (“IV”)
– D minor (“ii”)

Please note that even though these examples might have same roman numerals progression, the emotion captured by these progressions can be quite different due to the unique incorporation by the composers.

Musical Analysis

In terms of musical analysis, this is a very common and effective progression. It has a comforting, familiar sound due to its extensive use in popular music. The transition from IV to V creates an expectation for resolution which is met when it moves to the I chord, and then it takes a melancholic turn when it falls to vi.

Overall Analysis

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

Style Analysis

It’s interesting to note Coldplay’s style here. They prefer major chords to give uplifting spiritual feeling, supplemented by minor chord for a measured dose of melancholy and a balanced, contrasting feeling. This manifests their signature sound – ambivalent, anthemic, and emotionally resonant.

Chords in the Verse 1 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]