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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

Coldplay – Yellow – Bridge

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]

Chord Progression Analysis

“`
G (I)
D (V)
Cmaj7 (IVmaj7)
G (I)
D (V)
Cmaj7 (IVmaj7)
“`
We can see the common I – V – IV progression at work here, a popular progression in pop and rock music. The song uses the major seventh form of the IV (Cmaj7) that adds a slight tonal color.

Similar Chord Progressions

1. “Let it Be” by The Beatles:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
2. “No Woman, No Cry” by Bob Marley:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
These songs also use a variant of the I – V – vi – IV progression, with “Let it Be” also opting the major seventh form of the IV (like Cmaj7 in “Yellow”). It highlights the widespread use of these progressions in music across decades and genres.

Musical Analysis

The bridge in “Yellow” is characterized by a shift in dynamics and instrumentation, a technique commonly used by Coldplay for creating contrasting sections in their songs. The major 7th chord (Cmaj7) has a dreamy and lush sound, which brings a tender and emotional feeling, providing a perfect transition for their characteristic anthemic choruses.

Overall Analysis

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

Style Analysis

The use of maj7 chords is more typical of jazz, yet Coldplay uses them frequently in their genre of atmospheric rock music. This mix of pop rock with hints of jazz elements can be seen in other Coldplay songs too. Moreover, the progression perfectly supports the vocally sincere and elemental lyrics and melody that Martin (lead singer) is known for.

Chords in the Bridge section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]