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Related Music Theory Alchemy

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

Oasis – Wonderwall – Verse 3

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Chord Progression

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]

Chord Progression Analysis

The named chord progression for Verse 3 follows: Em, G, D, A7sus4 and is repeated four times.

Structuring this progression into full chord names and their Roman numeral analysis for the key of G major, we obtain:

“`
E minor (‘vi’),
G Major (‘I’),
D Major (‘V’),
A7sus4 (‘IV7sus4’).
“`

None of these chords are borrowed; they all naturally occur within the G major scale.

Similar Chord Progressions

1. “Let It Be” by The Beatles –
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
2. “No Woman, No Cry” by Bob Marley
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
3. “When I Come Around” by Green Day
“`
G (I),
D (V),
Em (vi),
C (IV)
“`

Please note that while these songs share a similar chord progression format with “Wonderwall” (four-chord loop structure), the exact chords themselves and their sequences differ.

Musical Analysis

In terms of musical theory, the Em (vi) to G (I) is a relative minor to major shift which creates an uplifting feel. The G (I) to D (V) is a perfect cadence which provides a strong sense of resolution, whilst the D (V) to A7sus4 (IV7sus4) is a reverbant suspension that adds tension before returning to the Em (vi). As a result, these chords synergize into a progression that is simultaneously melancholic yet hopeful, forming the iconic sound of “Wonderwall”.

Overall Analysis

“Wonderwall” by Oasis is in the key of G major and features an effective and memorable chord progression that repeats throughout the song. The progression falls into the indie rock and Britpop genres, highlighting simple, strong harmonies, and incorporates a repeated sequence of Em–G-D–A7sus4 throughout its composition with occasional deviations.

Style Analysis

“Wonderwall” is Oasis’s emblematic Britpop song, featuring simple yet catchy melodies and harmonies that appeal to a broad audience—which perfectly suits their indie rock style. The song’s chord progression possesses cyclical and repetitive qualities, giving it a mesmerizing and memorable nature, a common trait found in pop rock genres. The use of the 7th suspended 4th chord (A7sus4) contributes to an open, unresolved sound that fits well with the song’s nostalgic and yearning lyrical content.

Chords in the Verse 3 section of Wonderwall by Oasis are:

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]