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“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Oasis – Wonderwall – Verse 3

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Chord Progression

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]

Chord Progression Analysis

The named chord progression for Verse 3 follows: Em, G, D, A7sus4 and is repeated four times.

Structuring this progression into full chord names and their Roman numeral analysis for the key of G major, we obtain:

“`
E minor (‘vi’),
G Major (‘I’),
D Major (‘V’),
A7sus4 (‘IV7sus4’).
“`

None of these chords are borrowed; they all naturally occur within the G major scale.

Similar Chord Progressions

1. “Let It Be” by The Beatles –
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
2. “No Woman, No Cry” by Bob Marley
“`
C (I),
G (V),
Am (vi),
F (IV)
“`
3. “When I Come Around” by Green Day
“`
G (I),
D (V),
Em (vi),
C (IV)
“`

Please note that while these songs share a similar chord progression format with “Wonderwall” (four-chord loop structure), the exact chords themselves and their sequences differ.

Musical Analysis

In terms of musical theory, the Em (vi) to G (I) is a relative minor to major shift which creates an uplifting feel. The G (I) to D (V) is a perfect cadence which provides a strong sense of resolution, whilst the D (V) to A7sus4 (IV7sus4) is a reverbant suspension that adds tension before returning to the Em (vi). As a result, these chords synergize into a progression that is simultaneously melancholic yet hopeful, forming the iconic sound of “Wonderwall”.

Overall Analysis

“Wonderwall” by Oasis is in the key of G major and features an effective and memorable chord progression that repeats throughout the song. The progression falls into the indie rock and Britpop genres, highlighting simple, strong harmonies, and incorporates a repeated sequence of Em–G-D–A7sus4 throughout its composition with occasional deviations.

Style Analysis

“Wonderwall” is Oasis’s emblematic Britpop song, featuring simple yet catchy melodies and harmonies that appeal to a broad audience—which perfectly suits their indie rock style. The song’s chord progression possesses cyclical and repetitive qualities, giving it a mesmerizing and memorable nature, a common trait found in pop rock genres. The use of the 7th suspended 4th chord (A7sus4) contributes to an open, unresolved sound that fits well with the song’s nostalgic and yearning lyrical content.

Chords in the Verse 3 section of Wonderwall by Oasis are:

[‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’, ‘Em’, ‘G’, ‘D’, ‘A7sus4’]