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Related Music Theory Alchemy

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Prince – Kiss – Chorus

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Chord Progression

[‘E5’, ‘D5’, ‘E5’, ‘D5’, ‘E9sus4’, ‘A5’]

Chord Progression Analysis

Here are the full chord names with their Roman numerals:

E5 (I)
D5 (bVII)
E5 (I)
D5 (bVII)
E9sus4 (more like a E dominant 9 sus4 – not directly part of the Mixolydian/D Major scale)
A5 (IV)

Note: Since E Mixolydian could also be related to A Major, the D5 might be considered as a borrowed chord from A Major.

Similar Chord Progressions

One good example of similar chord progression can be seen in “Learn To Fly” by Foo Fighters. The track uses similar power chords and follows a progression in the key of B Major.

B5 (I)
A5 (bVII)
E5 (IV)
G5 (VI)

“Sweet Home Alabama” by Lynyrd Skynyrd also follows a similar progression but in the key of G Major.

G5 (I)
D5 (V)
Cmaj7 (IV)

Both of these songs utilize similar techniques of fluctuating between I and bVII with usage of power chords (especially the bVII power chord, which gives similar bluesy feel).

Musical Analysis

Prince uses a mix of fifth chords (also known as power chords) and an extended chord (E9sus4). The usage of the 9sus4 chord is crucial in adding tension and then resolved to the next chord A5, this chords pattern creates distinctive groove and energy that suits the funky style of the song.

Overall Analysis

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

Style Analysis

Mixolydian mode is very common in blues, funk, and rock music due to its slightly discordant nature. Since it has a flattened seventh it makes it perfect for bluesy styles, giving it its characteristic edge. The progression creates a familiar but also unique sound.

Chords in the Chorus section of Kiss by Prince are:

[‘E5’, ‘D5’, ‘E5’, ‘D5’, ‘E9sus4’, ‘A5’]