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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

“Anti-Hero,” a standout track from Taylor Swift, exemplifies her mature songwriting style that merges introspective lyrics with intricate harmonies. This song’s verse utilizes a chord progression that creates a rich emotional landscape, perfectly complementing the themes of self-reflection and personal imperfection. The progression, while rooted in the traditional pop structure, employs extended chords to enhance its lyrical narrative, adding layers of complexity that resonate with listeners.

The Rolling Stones – You Cant Always Get What You Want – Verse

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Chord Progression

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]

Chord Progression Analysis

**

`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`

**

Similar Chord Progressions

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(1) “Let It Be” – The Beatles:
“`
C (I)
Cmaj9 (I)
C (I)
G (IV)
C (I)
Cmaj9 (I)
C (I)
G (IV)

“`

(2) “Every Breath You Take” – The Police:
“`
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)

“`
In each case above, a I-IV progression embellished with an add9 chord is used, creating a similar blend of tension and resolution within the major tonal landscape.

Musical Analysis

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The song employs a I-IV chord progression rhythmically cycled, creating an open-world feel, where the harmonic orientation is apparent, but not overly restrictive. Note the use of the Gadd9 chord, which is simply a G Major chord with an added 9th (A). In popular music, add9 chords are often deployed as subtle coloring variations of their major or minor triad counterparts and offer a slight sense of tension and resolution within the same chord, which adds to the characteristic sound of this song.

**

Overall Analysis

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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Style Analysis

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The Rolling Stones often brawl the contours between traditional blues rock progression styles with more avant-garde touches, and “You Can’t Always Get What You Want” is a great example of this trait. The use of the Gadd9 lends a slightly jazzy inclination to the music; they provide an unexpected color to the melody and create a suspended array of simultaneously tense yet soothing emotions. This usage of chord addition was common in the progressive rock era and also in pieces influenced by jazz fusion, indicating the Stones’ inclination to break away from the typical rock chord progressions.

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Chords in the Verse section of You Cant Always Get What You Want by The Rolling Stones are:

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]