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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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The Rolling Stones – Wild Horses – Verse 1

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

The chords for Verse 1 are [‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’].

Here is the chord progression with the full chord names and their Roman numerals, considering G as the tonic:

“`
B minor (‘iii’),
G Major (‘I’),
B minor (‘iii’),
G Major (‘I’),
A minor (‘ii’, borrowed from G minor),
C Major (‘IV’),
D Major (‘V’),
G Major (‘I’),
D Major (‘V’),
B minor (‘iii’),
G Major (‘I’),
B minor (‘iii’),
G Major (‘I’),
A minor (‘ii’, borrowed from G minor),
C Major (‘IV’),
D Major (‘V’),
G Major (‘I’),
D Major (‘V’).
“`

Similar Chord Progressions

Artists across various genres have used similar chord progressions. Notably, “All I Want” by Joni Mitchell utilizes a borrowed iv chord (F Major in the key of C Major, akin to the Am in G Major in “Wild Horses”) giving a similar emotional impact. Also, “Creep” by Radiohead employs a perennial I-iii-IV-V progression repeated throughout the song like “Wild Horses.”

Musical Analysis

Musically, this sequence creates a complex sound-scape very characteristic of the melancholic, yet beautiful tone of “Wild Horses”. The sequence begins with a surprising iii-I progression, introducing tension with the use of a minor chord. This tension is further developed with the borrowed ii chord (Am). As the IV, V, I sequence is very common in many pop songs, this gives a sense of resolution before it starts again, preserving familiarity within the unusual progression.

The borrowed ii chord (Am) is a distinctly unique feature. This chord is borrowed from the key of G minor. By bringing in this minor iv chord, a brief moment of modal mixture occurs, adding emotional depth and complexity to the song.

Overall Analysis

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

Style Analysis

The Rolling Stones are known for their innovative approach to rock music and “Wild Horses” is a clear demonstration of that unique style. The use of standard and borrowed chords, emotional dynamics, thoughtful lyrics, and arrangements all contribute to establishing their distinctive sound-scape. They manage to couple the raw emotion of blues-inspired progressions with the structural predictability of pop, creating something truly distinct.

Chords in the Verse 1 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]