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Related Music Theory Alchemy

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

The Rolling Stones – Honky Tonk Women – Verse 1

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

G Major (I)
C Major (IV)
G Major (I)
A Major (II – Borrowed chord)
D Major (V)
G Major (I)
C Major (IV)
G Major (I)
D Major (V)
G Major (I)

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The A Major chord here is borrowed and not native to the key of G Major.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd also features a I-IV-V progression but in the key of D major.
D Major (I)
C Major (bVII – Borrowed)
G Major (IV)

2. “I Still Haven’t Found What I’m Looking For” by U2 has a similar chord progression in the key of D major.
D Major (I)
G Major (IV)
A Major (V)
B minor (vi)

3. “Hey, Soul Sister” by Train has a similar chord progression but shifted to a different key (E major).
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Musical Analysis

Musically, the use of both the IV (C) chord and the V(D) chord in the progression gives the song a resolved feel. The progression starts and ends with I (G), giving it a cyclic feel. The introduction of the borrowed II (A) chord gives the song a mixolydian feel momentarily, attributing to its slightly unconventional rock ‘n’ roll progression.

Overall Analysis

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Style Analysis

“Honky Tonk Women” incorporates elements from both country & blues genres into a rock ‘n’ roll framework. It features the I-IV-V progression common in blues, and the borrowed II chord is a feature associated with country music. This gives the song a kind of raw, gritty feel that is characteristic of The Rolling Stones’ style.

Chords in the Verse 1 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]