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“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Nine Inch Nails

Hurt

Outro

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

Prince

Kiss

Verse 1

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

The Beatles

I Am The Walrus

Verse 1

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

Beck

Paper Tiger

Verse 1

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Nine Inch Nails – Every Day Is Exactly The Same – Verse 1

Q: What are the chords in: Nine Inch Nails – Every Day Is Exactly The Same – Verse 1?

Chords in the Verse 1 section of Every Day Is Exactly The Same by Nine Inch Nails are: E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

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Nine Inch Nails

Every Day Is Exactly The Same < All Analyses

Verse 1

Chord Progression

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

Chord Progression Analysis

Similar Chord Progressions

Musical Analysis

Overall Analysis

Style Analysis

What are the chords in: Nine Inch Nails – Every Day Is Exactly The Same – Verse 1?

Chords in the Verse 1 section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

Related Music Theory Alchemy

Nine Inch Nails – Every Day Is Exactly The Same – Verse 1

Every Day Is Exactly The Same < All Analyses

Chord Progression

Chord Progression Analysis

Similar Chord Progressions

Musical Analysis

Overall Analysis

Style Analysis

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