“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.
“Idioteque” by Radiohead is a song with an alternative rock/electronic style, featuring an unusual chord progression that effectively creates a sense of tension and instability while still maintaining a familiar and consonant tonality. This can be attributed to the band’s creative use of borrowed chords and harmonic movement.
“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.
The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.
“Maxwell’s Silver Hammer” by The Beatles is a track that showcases the band’s fondness for creating complex and textured compositions by combining multiple melody lines with innovative chord sequences in a pop rock context. It features numerous musical styles, including pop, rock, and music hall, which reflects the band’s eclectic musical influences. The Coda of the song takes place in the key of D major.
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