The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.
The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.
The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
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