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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.
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The song “Roads” by Portishead features a haunting yet melodic chord progression reminiscent of the minor key-oriented pop/rock of the 90’s. It combines chords from the key of A minor along with a borrowed chord from the parallel major key to create a moody, atmospheric soundscape typical of the trip-hop genre.
“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.
“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.
“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.
“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.
“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.
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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.
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The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.
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