“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.
“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.
“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.
The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.
The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.
“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.
“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.
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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.
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The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.
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