“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.
“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.
The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.
“A Day In The Life” is a progressive rock song from the “Sgt Pepper’s Lonely Hearts Club Band” album, released in 1967. The progression includes some well-known chords, along with more unusual chords and alterations that contribute to the unique sound of the song.
“Something” is composed in C Major; however, it modulates to several different keys. The song’s chord progression is relatively complex and less adherent to traditional tonality, typical of much of The Beatles’ work, particularly in their later years. Throughout the song, they make use of several common progressions, but with a few unique changes.
“Something” is composed in C Major; however, it modulates to several different keys. The song’s chord progression is relatively complex and less adherent to traditional tonality, typical of much of The Beatles’ work, particularly in their later years. Throughout the song, they make use of several common progressions, but with a few unique changes.
The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.
“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.
The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.
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