Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.
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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.
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“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.
Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.
“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.
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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.
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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.
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Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.
“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.
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