The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.
The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.
The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.
“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.
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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.
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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.
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“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.
The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.
The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.
“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.
The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.
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