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Related Music Theory Alchemy

C Major (I)

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C Major – This chord functions as the tonic chord (I) in the key of C Major.
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The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Weezer – My Name Is Jonas – Verse 2

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Chord Progression

C, G, Am, F, C, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F

Chord Progression Analysis

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

The chords are all diatonic to the key of C Major, so there are no borrowed chords in this progression.

Similar Chord Progressions

1. “With or Without You” by U2: The verse progression in this iconic song is also a repeated I-V-vi-IV pattern.
Chord progression: D Major (I) – A Major (V) – B minor (vi) – G Major (IV)

2. “Let It Be” by The Beatles: This classic song features a similar progression, with a slight variation.
Chord progression: C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

3. “No Woman, No Cry” by Bob Marley and The Wailers: This song showcases a similar progression, but in a different genre.
Chord progression: C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

These examples demonstrate that the chord progression used in “My Name Is Jonas” is a popular and versatile progression found in various genres and styles of music.

Musical Analysis

Verse 2 follows a relatively simple harmonic structure with a repeated pattern of I-V-vi-IV, using basic triads from the C Major key. This progression tends to evoke an uplifting and positive emotion due to the major chords (C Major and G Major), while the minor chord (A minor) adds a touch of melancholy or introspection. Overall, this progression is characterized by its diatonic nature, which gives the song a grounded and familiar sound.

Overall Analysis

“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.

Style Analysis

The chord progression in “My Name Is Jonas” can be considered representative of 90s alternative rock, which often featured catchy, guitar-driven progressions. It also demonstrates the influence of 60s pop and rock music on Weezer’s sound, as this progression is reminiscent of songwriting approaches from that era.

Chords in the Verse 2 section of My Name Is Jonas by Weezer are:

C, G, Am, F, C, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F, C, G, Am, F