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Related Music Theory Alchemy

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

Weezer – California Kids – Chorus 3

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Chord Progression

F, G, Am, E, F, G, F, F, G, F, G, Am, E, F, G, F, F, G, F, G, F, F, G, F

Chord Progression Analysis

F Major (I) – G Major (V/ii) – A minor (ii) – E Major (V/vi) – F Major (I) – G Major (V/ii) – F Major (I) – F Major (I)
G Major (V/ii) – F Major (I) – G Major (V/ii) – A minor (ii) – E Major (V/vi) – F Major (I) – G Major (V/ii) – F Major (I)
F Major (I) – G Major (V/ii) – F Major (I) – G Major (V/ii) – F Major (I) – F Major (I) – G Major (V/ii) – F Major (I)

Wherein
“`E Major (V/vi)“` is a borrowed chord.

Similar Chord Progressions

1. Toto – Africa
Chord Progression: B Major (I) – G#m (vi) – C# minor (ii) – E Major (IV) – F# Major (V) – F# Major (V) – E Major (IV) – E Major (IV)
2. The Beatles – Let It Be
Chord Progression: C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

In both examples, the chord progressions follow a similar pattern as found in California Kids, featuring a predominant (ii or vi) and dominant (IV or V) chord sequence that helps create movement and tension in the song.

Musical Analysis

The progression starts and ends with the tonic, F Major, providing a sense of resolution and stability. The A minor (ii) chord acts as a predominant, creating movement towards the E Major chord, which is a secondary dominant (V/vi) that resolves to A minor in a deceptive manner instead of the expected D minor (vi). This creates a more interesting sound and grabs the listeners’ attention. The G Major chord, functioning as a V/ii creates tension, which helps propel the song forward.

Overall Analysis

The chord progression of the chorus of California Kids by Weezer displays a mixture of diatonic and borrowed chords in the key of F Major. The progression has a common pop-rock feel with some chromatic harmonic elements, bringing a more interesting and engaging effect to the listener.

Style Analysis

California Kids is a pop-rock song that features a mixture of diatonic and borrowed chords, giving it a unique yet familiar sound. The progression’s repetitiveness is common in pop music and can help make the song catchy and easy to remember. The E Major chord, a borrowed chord, adds a touch of chromaticism, which is often found in rock music, giving it an edge over a purely diatonic progression.

Chords in the Chorus 3 section of California Kids by Weezer are:

F, G, Am, E, F, G, F, F, G, F, G, Am, E, F, G, F, F, G, F, G, F, F, G, F