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The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Weezer – Buddy Holly – Verse 1

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Chord Progression

F#m, E/G#, A, A, F#m, E/G#, A, A

Chord Progression Analysis

F#m (vi), E/G# (V6), A (I), A (I), F#m (vi), E/G# (V6), A (I), A (I)

Similar Chord Progressions

1. The Beatles – “Let It Be”
Verse Chord Progression: C (I), G (V), Am (vi), F (IV), C (I), G (V), F (IV), C (I)

2. Oasis – “Wonderwall”
Verse Chord Progression: Em7 (ii7), G (IV), Dsus4 (Isus4), A7sus4 (Vsus4), Em7 (ii7), G (IV), Dsus4 (Isus4), A7sus4 (Vsus4)

3. Green Day – “Wake Me Up When September Ends”
Verse Chord Progression: G (I), D/F# (V6), Em (vi), G (I), C (IV), G (I), Am (ii), Am (ii)

These chord progressions showcase a similar use of the vi-V-I pattern in different contexts, as well as how artists utilize variations and added tones for added interest within their music.

Musical Analysis

The chord progression starts with the F# minor chord (vi), which sets a slightly more introspective tone, giving a sense of melancholy. This is followed by E/G#, which introduces the first inversion of an E major chord (V6), providing tension and a sense of anticipation. The progression resolves to the A major chord (I), which is repeated for an extra measure. This progression highlights the simple yet effective use of the vi-V-I pattern, which provides a sense of resolution while adding emotional depth through contrasting minor and major chords.

Overall Analysis

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Style Analysis

The style of “Buddy Holly” can be classified as pop-rock with a blend of alternative rock and power pop. Its catchy melodies and relatable lyrics resonate with a wide range of audiences. The frequent use of the vi-V-I progression in its verses is characteristic of the pop-rock genre, as it provides a sense of familiarity that helps it stand out, while its guitar-driven sound further solidifies its rock appeal.

Chords in the Verse 1 section of Buddy Holly by Weezer are:

F#m, E/G#, A, A, F#m, E/G#, A, A