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Related Music Theory Alchemy

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

Weezer – Buddy Holly – Verse 1

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Chord Progression

F#m, E/G#, A, A, F#m, E/G#, A, A

Chord Progression Analysis

F#m (vi), E/G# (V6), A (I), A (I), F#m (vi), E/G# (V6), A (I), A (I)

Similar Chord Progressions

1. The Beatles – “Let It Be”
Verse Chord Progression: C (I), G (V), Am (vi), F (IV), C (I), G (V), F (IV), C (I)

2. Oasis – “Wonderwall”
Verse Chord Progression: Em7 (ii7), G (IV), Dsus4 (Isus4), A7sus4 (Vsus4), Em7 (ii7), G (IV), Dsus4 (Isus4), A7sus4 (Vsus4)

3. Green Day – “Wake Me Up When September Ends”
Verse Chord Progression: G (I), D/F# (V6), Em (vi), G (I), C (IV), G (I), Am (ii), Am (ii)

These chord progressions showcase a similar use of the vi-V-I pattern in different contexts, as well as how artists utilize variations and added tones for added interest within their music.

Musical Analysis

The chord progression starts with the F# minor chord (vi), which sets a slightly more introspective tone, giving a sense of melancholy. This is followed by E/G#, which introduces the first inversion of an E major chord (V6), providing tension and a sense of anticipation. The progression resolves to the A major chord (I), which is repeated for an extra measure. This progression highlights the simple yet effective use of the vi-V-I pattern, which provides a sense of resolution while adding emotional depth through contrasting minor and major chords.

Overall Analysis

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Style Analysis

The style of “Buddy Holly” can be classified as pop-rock with a blend of alternative rock and power pop. Its catchy melodies and relatable lyrics resonate with a wide range of audiences. The frequent use of the vi-V-I progression in its verses is characteristic of the pop-rock genre, as it provides a sense of familiarity that helps it stand out, while its guitar-driven sound further solidifies its rock appeal.

Chords in the Verse 1 section of Buddy Holly by Weezer are:

F#m, E/G#, A, A, F#m, E/G#, A, A