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Related Music Theory Alchemy

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Vance Joy – Riptide – Chorus

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]

Chord Progression Analysis

The repetitive chorus (and the majority of the song, in fact) revolves around an A minor-G Major-C Major progression. In the key of C Major, these chords have the following Roman numerals:

“`
A minor (vi), G Major (V), C Major (I)
“`

The song does not feature any borrowed chords. Borrowed chords come from a key’s parallel minor or major, and all chords used in “Riptide” are diatonic to the key of C Major.

Similar Chord Progressions

One of the things that makes the three-chord song so profoundly popular is the sheer number of different songs that can be produced from the same simple materials. I-vi-IV progression is one of the most common in pop music. Some examples are:

– “Let It Be” by The Beatles: `C Major (I), G Major (V), A minor (vi), F Major (IV)`
– “No Woman No Cry” by Bob Marley: `C Major (I), G Major (V), A minor (vi), F Major (IV)`
– “Uptown Funk” by Mark Ronson featuring Bruno Mars: `D minor (vi), G Major (V), C Major (I)`.

While the songs above have similar sequences, none of them is an exact match for “Riptide” because the song’s progression is notable for its specific pattern and its minor-major juxtaposition.

Musical Analysis

“Riptide”, like many pop songs, uses a three-chord structure, and what makes it interesting is its simplicity and the techniques used to create variation within it. The only gently nuanced part comes in the bridge, where Vance Joy introduces an Fmaj7 chord which creates tension that resolves back into the main progression. This usage of a non-diatonic chord gives a clever twist to the otherwise straightforward progression.

Overall Analysis

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

Style Analysis

In terms of style, “Riptide” stands out for its catchy ukulele-driven sound and its repetition of the three-chord progression with minimal variation, a common trait in most pop music. Its emotional content derives from the stark switch between the major and minor chords. This lends the song both a happy, upbeat feel from the major chords and an underpinning of melancholy from the minor ones.

Chords in the Chorus section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]