Music Theory Alchemy

Search

Related Music Theory Alchemy

**

Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

**

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

Vance Joy – Riptide – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]

Chord Progression Analysis

The repetitive chorus (and the majority of the song, in fact) revolves around an A minor-G Major-C Major progression. In the key of C Major, these chords have the following Roman numerals:

“`
A minor (vi), G Major (V), C Major (I)
“`

The song does not feature any borrowed chords. Borrowed chords come from a key’s parallel minor or major, and all chords used in “Riptide” are diatonic to the key of C Major.

Similar Chord Progressions

One of the things that makes the three-chord song so profoundly popular is the sheer number of different songs that can be produced from the same simple materials. I-vi-IV progression is one of the most common in pop music. Some examples are:

– “Let It Be” by The Beatles: `C Major (I), G Major (V), A minor (vi), F Major (IV)`
– “No Woman No Cry” by Bob Marley: `C Major (I), G Major (V), A minor (vi), F Major (IV)`
– “Uptown Funk” by Mark Ronson featuring Bruno Mars: `D minor (vi), G Major (V), C Major (I)`.

While the songs above have similar sequences, none of them is an exact match for “Riptide” because the song’s progression is notable for its specific pattern and its minor-major juxtaposition.

Musical Analysis

“Riptide”, like many pop songs, uses a three-chord structure, and what makes it interesting is its simplicity and the techniques used to create variation within it. The only gently nuanced part comes in the bridge, where Vance Joy introduces an Fmaj7 chord which creates tension that resolves back into the main progression. This usage of a non-diatonic chord gives a clever twist to the otherwise straightforward progression.

Overall Analysis

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

Style Analysis

In terms of style, “Riptide” stands out for its catchy ukulele-driven sound and its repetition of the three-chord progression with minimal variation, a common trait in most pop music. Its emotional content derives from the stark switch between the major and minor chords. This lends the song both a happy, upbeat feel from the major chords and an underpinning of melancholy from the minor ones.

Chords in the Chorus section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]