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The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

Tyler, The Creator – See You Again – Outro

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Chord Progression

F#maj7, F#maj7/B, G#m7, D7#5

Chord Progression Analysis

F#maj7 (IMaj7), F#maj7/B (IMaj7/5), G#m7 (IIm7), D7#5 (VI7♯5)

`The D7#5 chord is borrowed from the F# harmonic minor scale.`

Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely”
Chord Progression: Emaj7 (IMaj7), Bm7 (IVm7), Amaj7 (IVMaj7), F#m7 (IIm7), F#7#5 (II7♯5)
2. John Coltrane – “Giant Steps”
Chord Progression: BMaj7 (IMaj7), D7 (V7/III), GMaj7 (VMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), Am7 (VIm7), D7 (V7/II), GMaj7 (IIMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), F#7#5 (II7♯5), BMaj7 (IMaj7)
3. Shania Twain – You’re Still The One
Chord Progression: EMaj7 (IMaj7), F#m7 (IIm7), A (IV), A/B (IV/2), B7#5 (V7#5)

These songs have incorporated the use of 7th chords and/or borrowed chords, particularly the augmented 5th chords or other unexpected chords, creating a similar harmonic texture as in “See You Again.”

Musical Analysis

The progression begins with a stable F#maj7 chord, followed by the F#maj7/B, which is essentially functioning as a first inversion chord. This inversion creates a smooth bass line and a subtle sense of forward motion. The progression then moves to the G#m7 chord, a diatonic chord in the key of F# major that provides a smooth transition from the tonic. The most interesting aspect of this progression is the D7#5 chord, which is a borrowed chord from the F# harmonic minor scale. This chord not only adds tension and color to the music but also creates a strong pull back to the tonic, effectively allowing the progression to loop seamlessly.

Overall Analysis

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

Style Analysis

Tyler, The Creator is known for his unique and often experimental approach to harmony within his music. The inclusion of the borrowed D7#5 chord in this progression showcases his distinctive choice of chords that are not traditionally used in pop music. The progression exhibits a jazzy feel; the use of 7th chords adds depth and gives the music a rich harmonic texture. Despite the unconventional chord choices, the progression still retains a strong sense of melodic movement and resolution throughout.

Chords in the Outro section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, G#m7, D7#5