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Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

The progression for the chorus of “Sometimes It Snows In April” by Prince exhibits a rich mixture of non- diatonic chords and borrowed chords. The tonal center of the song is A, but it doesn’t strictly follow a specific major or minor scale, creating an interesting blend of light and dark tonalities. This characteristic is a common feature in Prince’s works, showing his notable talent for blending the traditional with the unconventional.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

The Smashing Pumpkins – Tonight Tonight – Chorus

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Chord Progression

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]

Chord Progression Analysis

Here’s the chorus part of the progression:

Cadd9 (Iadd9), G/B (V6), D (II), Em (iii), Am (vi), Cadd9 (Iadd9), G/B (V6), D (II), G (V), D/F# (V6), Em (iii)

“`Cadd9 here is a borrowed chord from the C Major Scale.“`

Similar Chord Progressions

1. “High and Dry” by Radiohead

In the verse: [“Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V), “Gmin” (ii), “Dmin” (vi), “Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V)]

2. “Don’t Look Back in Anger” by Oasis

In the chorus: [“Cadd9” (Iadd9), “G” (V), “Am” (vi), “Em” (iii), “F” (IV), “G” (V), “C” (I), “Am” (vi), “E7” (III7)]

Note: While these examples may not have the exact same chord progression, they have similar elements such as the usage of added 9th chords and chord inversions.

Musical Analysis

C’s (1st and 7th) and G/B (2nd and 8th), as well as D (3rd) make a descending bass line (C-B-A-G-F#). These choices of inversion and the use of added notes (Cadd9) brings depth and saturated harmonic content to the tonal landscape. Then, Em (4th), Am (5th), and the other chords that follow continue to enhance the expressiveness of the song with further tonal palette expansion.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Style Analysis

Smashing Pumpkins often utilize intricate chord progressions and a copious use of add chords and inversions, which can be seen in the chorus of “Tonight, Tonight”. This song also showcases their use of both ‘classic’ and non-standard tunings that provide a unique twist to their alternative rock sound.

Chords in the Chorus section of Tonight Tonight by The Smashing Pumpkins are:

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]