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Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

The Smashing Pumpkins – Tonight Tonight – Chorus

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Chord Progression

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]

Chord Progression Analysis

Here’s the chorus part of the progression:

Cadd9 (Iadd9), G/B (V6), D (II), Em (iii), Am (vi), Cadd9 (Iadd9), G/B (V6), D (II), G (V), D/F# (V6), Em (iii)

“`Cadd9 here is a borrowed chord from the C Major Scale.“`

Similar Chord Progressions

1. “High and Dry” by Radiohead

In the verse: [“Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V), “Gmin” (ii), “Dmin” (vi), “Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V)]

2. “Don’t Look Back in Anger” by Oasis

In the chorus: [“Cadd9” (Iadd9), “G” (V), “Am” (vi), “Em” (iii), “F” (IV), “G” (V), “C” (I), “Am” (vi), “E7” (III7)]

Note: While these examples may not have the exact same chord progression, they have similar elements such as the usage of added 9th chords and chord inversions.

Musical Analysis

C’s (1st and 7th) and G/B (2nd and 8th), as well as D (3rd) make a descending bass line (C-B-A-G-F#). These choices of inversion and the use of added notes (Cadd9) brings depth and saturated harmonic content to the tonal landscape. Then, Em (4th), Am (5th), and the other chords that follow continue to enhance the expressiveness of the song with further tonal palette expansion.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Style Analysis

Smashing Pumpkins often utilize intricate chord progressions and a copious use of add chords and inversions, which can be seen in the chorus of “Tonight, Tonight”. This song also showcases their use of both ‘classic’ and non-standard tunings that provide a unique twist to their alternative rock sound.

Chords in the Chorus section of Tonight Tonight by The Smashing Pumpkins are:

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]