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Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The Smashing Pumpkins – Tonight Tonight – Chorus

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Chord Progression

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]

Chord Progression Analysis

Here’s the chorus part of the progression:

Cadd9 (Iadd9), G/B (V6), D (II), Em (iii), Am (vi), Cadd9 (Iadd9), G/B (V6), D (II), G (V), D/F# (V6), Em (iii)

“`Cadd9 here is a borrowed chord from the C Major Scale.“`

Similar Chord Progressions

1. “High and Dry” by Radiohead

In the verse: [“Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V), “Gmin” (ii), “Dmin” (vi), “Fadd9” (Iadd9), “A#maj/A” (IV6), “Cmaj” (V)]

2. “Don’t Look Back in Anger” by Oasis

In the chorus: [“Cadd9” (Iadd9), “G” (V), “Am” (vi), “Em” (iii), “F” (IV), “G” (V), “C” (I), “Am” (vi), “E7” (III7)]

Note: While these examples may not have the exact same chord progression, they have similar elements such as the usage of added 9th chords and chord inversions.

Musical Analysis

C’s (1st and 7th) and G/B (2nd and 8th), as well as D (3rd) make a descending bass line (C-B-A-G-F#). These choices of inversion and the use of added notes (Cadd9) brings depth and saturated harmonic content to the tonal landscape. Then, Em (4th), Am (5th), and the other chords that follow continue to enhance the expressiveness of the song with further tonal palette expansion.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

Style Analysis

Smashing Pumpkins often utilize intricate chord progressions and a copious use of add chords and inversions, which can be seen in the chorus of “Tonight, Tonight”. This song also showcases their use of both ‘classic’ and non-standard tunings that provide a unique twist to their alternative rock sound.

Chords in the Chorus section of Tonight Tonight by The Smashing Pumpkins are:

[‘Cadd9’, ‘G/B’, ‘D’, ‘Em’, ‘Am’, ‘Cadd9’, ‘G/B’, ‘D’, ‘G’, ‘D/F#’, ‘Em’]