Music Theory Alchemy

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“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The Smashing Pumpkins – Bullet With Butterfly Wings – Verse 1

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Chord Progression

[‘B5’, ‘Em’, ‘G5’]

Chord Progression Analysis

Here’s the chord progression for Verse 1:

B5 (I5), Em (ii), G5 (IV5)

BU (Borrowed chords) = None

Similar Chord Progressions

1) “Smells Like Teen Spirit” by Nirvana – E5 (I5), A5 (IV5), G#5 (III#5), C5 (VI5)
2) “Black” by Pearl Jam – E (I), A (IV), D (VII), Em (ii)

Although these songs are not in the same key nor do they have the exact Figure Bass notation, they share the same grunge aesthetic and utilize power chords to achieve that raw, rock sound. Just like in “Bullet With Butterfly Wings”, there are minor chords interjected amongst the power and major chords for a heightened emotional effect.

Musical Analysis

The song is in the key of B Major. The use of power chords such as B5 and G5, stripped down to their core harmonics elements (root and perfect fifth), provides the song with raw power typical of the punk/grunge genre. B5 and G5 are the major chords strengthened by the fifth, which gives it the specific rock sound. Meanwhile, the Em functions as a minor chord offering a slight mood change. The constant shifts between major and minor chords build tension and intensity throughout the song.

Overall Analysis

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

Style Analysis

“Bullet With Butterfly Wings” is a signature song of the Smashing Pumpkins’ ’90s grunge rock style, featuring distorted guitar tones, intense emotion, and dark lyrics. The use of power chords is typical in this kind of music as they provide a more powerful, simple, and raw sound to express intense emotions. The Asus2 adds a suspense which is characteristic of the moody and introspective aspects of grunge.

Chords in the Verse 1 section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘Em’, ‘G5’]