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Related Music Theory Alchemy

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

The Smashing Pumpkins – Bullet With Butterfly Wings – Outro

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Chord Progression

[‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘E5’, ‘G5’, ‘F#5’]

Chord Progression Analysis

The specific part you’ve asked about appears to be in the key of D major, with the progression as follows:

B5 (VI),
G5 (IV),
D (I),
Asus2 (V7sus2),
B5 (VI),
G5 (IV),
D (I),
Asus2 (V7sus2),
B5 (VI),
G5 (IV),
D (I),
Asus2 (V7sus2),
B5 (VI),
G5 (IV),
D (I),
Asus2 (V7sus2),
E5 (IIm),
G5 (IV),
F#5 (IIIm)

The progression is predominantly in D major, with the B5, G5, and D chords forming a typical I-VI-IV pop/rock progression. The Asus2 is a suspended dominant functioning as the V chord, and the E5 and F#5 in the final chunk of the pattern present a brief modulation to the relative minor key of B minor.

Similar Chord Progressions

Some similar progressions can be found in other works of the period. An example would be the verse progression in Nirvana’s “Smells Like Teen Spirit”, which uses a similar I-V-VI-IV pattern in the key of F minor, although it employs minor rather than power chords: F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI).

Another example is “Creep” by Radiohead, which follows the progression G (I), B (III), C (IV), Cm (iv) in the key of G major. This is a I-III-IV-iv progression, somewhat similar to the VI-IV-I-V7 in “Bullet with Butterfly Wings”, and it also includes a sudden shift from a major to a minor chord for added dramatic effect.

Please note that the roman numerals differ depending on your interpretation of what key the songs are in. This is a rather simplified analysis and it might be slightly different depending on which harmonic interpretation you use.

Musical Analysis

The predominant use of power chords and suspended chords gives the song a strong, driving feel, appropriate to the loud and aggressive style of grunge and alternative rock. These chords also create a sense of ambiguity and tension, which is never fully resolved and thus characterizes the angst conveyed in the song.

Overall Analysis

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

Style Analysis

The Smashing Pumpkins are known for their unique blending of different rock styles, including punk, gothic rock, and heavy metal. Like many other grunge and alternative rock bands of the 1990s, they used power chords and distorted guitars to create a heavy, raw sound, which is clearly exhibited in “Bullet with Butterfly Wings”.

Chords in the Outro section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘B5’, ‘G5’, ‘D’, ‘Asus2’, ‘E5’, ‘G5’, ‘F#5’]