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Related Music Theory Alchemy

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

“Have You Ever Seen The Rain” by Creedence Clearwater Revival is a classic rock song written in the key of C Major. It’s a brilliant representation of 60s and 70s folk-rock music with a chord sequence that is very recognizable, even to this day.

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The Rolling Stones – You Cant Always Get What You Want – Verse

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Chord Progression

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]

Chord Progression Analysis

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`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`

**

Similar Chord Progressions

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(1) “Let It Be” – The Beatles:
“`
C (I)
Cmaj9 (I)
C (I)
G (IV)
C (I)
Cmaj9 (I)
C (I)
G (IV)

“`

(2) “Every Breath You Take” – The Police:
“`
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)

“`
In each case above, a I-IV progression embellished with an add9 chord is used, creating a similar blend of tension and resolution within the major tonal landscape.

Musical Analysis

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The song employs a I-IV chord progression rhythmically cycled, creating an open-world feel, where the harmonic orientation is apparent, but not overly restrictive. Note the use of the Gadd9 chord, which is simply a G Major chord with an added 9th (A). In popular music, add9 chords are often deployed as subtle coloring variations of their major or minor triad counterparts and offer a slight sense of tension and resolution within the same chord, which adds to the characteristic sound of this song.

**

Overall Analysis

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

**

Style Analysis

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The Rolling Stones often brawl the contours between traditional blues rock progression styles with more avant-garde touches, and “You Can’t Always Get What You Want” is a great example of this trait. The use of the Gadd9 lends a slightly jazzy inclination to the music; they provide an unexpected color to the melody and create a suspended array of simultaneously tense yet soothing emotions. This usage of chord addition was common in the progressive rock era and also in pieces influenced by jazz fusion, indicating the Stones’ inclination to break away from the typical rock chord progressions.

**

Chords in the Verse section of You Cant Always Get What You Want by The Rolling Stones are:

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]