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“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

“Weezer’s “Island in the Sun” features a memorable and catchy chord progression, with a mix of major and minor chords that creates an overall uplifting and pleasant atmosphere. The song is in the key of G Major and employs a simple and repetitive progression, characteristic of pop and rock music. Although the chord progression is fairly common, the rhythmic pattern and melodic line make the song stand out among other pop and rock tunes.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

The Rolling Stones – You Cant Always Get What You Want – Verse

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Chord Progression

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]

Chord Progression Analysis

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`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`
`G Major (I)`
`Gadd9 (I)`
`G Major (I)`
`C Major (IV)`

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Similar Chord Progressions

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(1) “Let It Be” – The Beatles:
“`
C (I)
Cmaj9 (I)
C (I)
G (IV)
C (I)
Cmaj9 (I)
C (I)
G (IV)

“`

(2) “Every Breath You Take” – The Police:
“`
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)
G (I)
Gadd9 (I)
G (I)
Cadd9 (IV)

“`
In each case above, a I-IV progression embellished with an add9 chord is used, creating a similar blend of tension and resolution within the major tonal landscape.

Musical Analysis

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The song employs a I-IV chord progression rhythmically cycled, creating an open-world feel, where the harmonic orientation is apparent, but not overly restrictive. Note the use of the Gadd9 chord, which is simply a G Major chord with an added 9th (A). In popular music, add9 chords are often deployed as subtle coloring variations of their major or minor triad counterparts and offer a slight sense of tension and resolution within the same chord, which adds to the characteristic sound of this song.

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Overall Analysis

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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Style Analysis

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The Rolling Stones often brawl the contours between traditional blues rock progression styles with more avant-garde touches, and “You Can’t Always Get What You Want” is a great example of this trait. The use of the Gadd9 lends a slightly jazzy inclination to the music; they provide an unexpected color to the melody and create a suspended array of simultaneously tense yet soothing emotions. This usage of chord addition was common in the progressive rock era and also in pieces influenced by jazz fusion, indicating the Stones’ inclination to break away from the typical rock chord progressions.

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Chords in the Verse section of You Cant Always Get What You Want by The Rolling Stones are:

[‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’, ‘G’, ‘Gadd9’, ‘G’, ‘C’]