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Related Music Theory Alchemy

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

The Rolling Stones – Wild Horses – Verse 1

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

The chords for Verse 1 are [‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’].

Here is the chord progression with the full chord names and their Roman numerals, considering G as the tonic:

“`
B minor (‘iii’),
G Major (‘I’),
B minor (‘iii’),
G Major (‘I’),
A minor (‘ii’, borrowed from G minor),
C Major (‘IV’),
D Major (‘V’),
G Major (‘I’),
D Major (‘V’),
B minor (‘iii’),
G Major (‘I’),
B minor (‘iii’),
G Major (‘I’),
A minor (‘ii’, borrowed from G minor),
C Major (‘IV’),
D Major (‘V’),
G Major (‘I’),
D Major (‘V’).
“`

Similar Chord Progressions

Artists across various genres have used similar chord progressions. Notably, “All I Want” by Joni Mitchell utilizes a borrowed iv chord (F Major in the key of C Major, akin to the Am in G Major in “Wild Horses”) giving a similar emotional impact. Also, “Creep” by Radiohead employs a perennial I-iii-IV-V progression repeated throughout the song like “Wild Horses.”

Musical Analysis

Musically, this sequence creates a complex sound-scape very characteristic of the melancholic, yet beautiful tone of “Wild Horses”. The sequence begins with a surprising iii-I progression, introducing tension with the use of a minor chord. This tension is further developed with the borrowed ii chord (Am). As the IV, V, I sequence is very common in many pop songs, this gives a sense of resolution before it starts again, preserving familiarity within the unusual progression.

The borrowed ii chord (Am) is a distinctly unique feature. This chord is borrowed from the key of G minor. By bringing in this minor iv chord, a brief moment of modal mixture occurs, adding emotional depth and complexity to the song.

Overall Analysis

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

Style Analysis

The Rolling Stones are known for their innovative approach to rock music and “Wild Horses” is a clear demonstration of that unique style. The use of standard and borrowed chords, emotional dynamics, thoughtful lyrics, and arrangements all contribute to establishing their distinctive sound-scape. They manage to couple the raw emotion of blues-inspired progressions with the structural predictability of pop, creating something truly distinct.

Chords in the Verse 1 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]