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Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

The Rolling Stones – Dead Flowers – Verse 1

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Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]

Chord Progression Analysis

Here is the breakdown of the chord progression in verse 1:

D Major (I)
A Major (V)
G Major (IV)
D Major (I)

The progression repeats this four-chord phrase four times within the verse. This is a pretty standard progression in many popular music genres.

Here is the borrowed chord listing in a coded block for this part of the song:
“`
No borrowed chords in this section.
“`

Similar Chord Progressions

Similar three-chord progressions (I, V, IV) can be found in countless songs. Notably:

– “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I), C Major (bVII), G Major (IV).
– “Louie Louie” by The Kingsmen: A Major (I), D Major (IV), E Major (V).

Instead of fully resolving back to the I after the IV, Lynyrd Skynyrd’s “Sweet Home Alabama” begins its progression again at the I, like “Dead Flowers.” “Louie Louie,” meanwhile, resolves to the V, which prolongs the sense of musical tension.

It’s worth noting that while these progressions are similar in chord formula, they each have distinct feels due largely to rhythm, melody, production, lyrics, and other musical elements. These songs sound distinct despite their harmonic similarities. This is a testament to the variety and depth that can be achieved with simple harmonic structures in music.

Musical Analysis

The chord progression within this song is not just standard, but rather archetypical. The D Major (I) to A Major (V) represents a perfect cadence, offering a sense of finality and resolution. The move from A Major (V) to G Major (IV) is a progression from dominant to subdominant, suggesting a continuation. The return to D Major (I) completes the progression and resets for the following phrase, making these four measures a complete musical thought.

Overall Analysis

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Style Analysis

The Rolling Stones are known for their blues-inspired rock, and that certainly shines through in this chord progression. Many blues progressions commonly cycle through the I, IV, and V chords, in similar patterns, though often with the addition of seventh chords. As for “Dead Flowers,” despite its simplicity, the progression has a very distinct sense of direction and resolution, adding to its catchy nature.

Chords in the Verse 1 section of Dead Flowers by The Rolling Stones are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]