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Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

The Rolling Stones – Dead Flowers – Verse 1

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Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]

Chord Progression Analysis

Here is the breakdown of the chord progression in verse 1:

D Major (I)
A Major (V)
G Major (IV)
D Major (I)

The progression repeats this four-chord phrase four times within the verse. This is a pretty standard progression in many popular music genres.

Here is the borrowed chord listing in a coded block for this part of the song:
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No borrowed chords in this section.
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Similar Chord Progressions

Similar three-chord progressions (I, V, IV) can be found in countless songs. Notably:

– “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I), C Major (bVII), G Major (IV).
– “Louie Louie” by The Kingsmen: A Major (I), D Major (IV), E Major (V).

Instead of fully resolving back to the I after the IV, Lynyrd Skynyrd’s “Sweet Home Alabama” begins its progression again at the I, like “Dead Flowers.” “Louie Louie,” meanwhile, resolves to the V, which prolongs the sense of musical tension.

It’s worth noting that while these progressions are similar in chord formula, they each have distinct feels due largely to rhythm, melody, production, lyrics, and other musical elements. These songs sound distinct despite their harmonic similarities. This is a testament to the variety and depth that can be achieved with simple harmonic structures in music.

Musical Analysis

The chord progression within this song is not just standard, but rather archetypical. The D Major (I) to A Major (V) represents a perfect cadence, offering a sense of finality and resolution. The move from A Major (V) to G Major (IV) is a progression from dominant to subdominant, suggesting a continuation. The return to D Major (I) completes the progression and resets for the following phrase, making these four measures a complete musical thought.

Overall Analysis

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Style Analysis

The Rolling Stones are known for their blues-inspired rock, and that certainly shines through in this chord progression. Many blues progressions commonly cycle through the I, IV, and V chords, in similar patterns, though often with the addition of seventh chords. As for “Dead Flowers,” despite its simplicity, the progression has a very distinct sense of direction and resolution, adding to its catchy nature.

Chords in the Verse 1 section of Dead Flowers by The Rolling Stones are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]