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Related Music Theory Alchemy

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.

Verse 1

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The Rolling Stones – Brown Sugar – Verse 1

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Chord Progression

C, C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
Bb Major (bVII) is a borrowed chord from the parallel C minor key.

Similar Chord Progressions

The progression used in “Brown Sugar” has similarities to several other rock and blues songs, such as:

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

2. “Wild Thing” by The Troggs:
A Major (I) – D Major (IV) – E Major (V) – D Major (IV) – A Major (I)

3. “Sweet Home Alabama” by Lynyrd Skynyrd:
D Major (I) – C Major (bVII) – G Major (IV)

These songs share the simplicity of “Brown Sugar” by focusing primarily on the I, IV, and V chords, while some also include borrowed chords from the parallel minor key to add a touch of bluesy flavor.

Musical Analysis

The first eight chords of the verse revolve around the tonic chord (C Major) to establish the key center. Then, the progression moves to the subdominant chord (F Major) for a contrast, prolonging tension before returning to the tonic (C Major). The borrowed chord, Bb Major, adds a touch of intrigue and bluesy flavor to the progression as it derives from the parallel minor key. Finally, the verse ends with a brief resolution to the dominant chord, G Major, before returning to the tonic.

Overall Analysis

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

Style Analysis

The chord structure in “Brown Sugar” is characteristic of rock and blues music, with its focus on the I, IV, and V chords, along with the inclusion of a borrowed chord from the parallel minor key. The simplicity of the progression allows for the catchy guitar riffs and the strong rhythm to shine through, creating the iconic rock’n’roll sound.

Chords in the Verse 1 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C