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Related Music Theory Alchemy

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

The Rolling Stones – Brown Sugar – Verse 1

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Chord Progression

C, C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
Bb Major (bVII) is a borrowed chord from the parallel C minor key.

Similar Chord Progressions

The progression used in “Brown Sugar” has similarities to several other rock and blues songs, such as:

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

2. “Wild Thing” by The Troggs:
A Major (I) – D Major (IV) – E Major (V) – D Major (IV) – A Major (I)

3. “Sweet Home Alabama” by Lynyrd Skynyrd:
D Major (I) – C Major (bVII) – G Major (IV)

These songs share the simplicity of “Brown Sugar” by focusing primarily on the I, IV, and V chords, while some also include borrowed chords from the parallel minor key to add a touch of bluesy flavor.

Musical Analysis

The first eight chords of the verse revolve around the tonic chord (C Major) to establish the key center. Then, the progression moves to the subdominant chord (F Major) for a contrast, prolonging tension before returning to the tonic (C Major). The borrowed chord, Bb Major, adds a touch of intrigue and bluesy flavor to the progression as it derives from the parallel minor key. Finally, the verse ends with a brief resolution to the dominant chord, G Major, before returning to the tonic.

Overall Analysis

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

Style Analysis

The chord structure in “Brown Sugar” is characteristic of rock and blues music, with its focus on the I, IV, and V chords, along with the inclusion of a borrowed chord from the parallel minor key. The simplicity of the progression allows for the catchy guitar riffs and the strong rhythm to shine through, creating the iconic rock’n’roll sound.

Chords in the Verse 1 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C