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Related Music Theory Alchemy

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

The Beatles – With A Little Help From My Friends – Verse 1

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Chord Progression

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

Chord Progression Analysis

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For the verse: [‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

“`
E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)

E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)
“`

The progression is a classic I-V-ii-ii progression repeated twice per line. The F#m is interesting as it is borrowed from E major, making it a borrowed chord or borrowed minor from the major key of the song.

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Similar Chord Progressions

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1. The Monkees, “I’m a Believer”: (I, IV, ii (borrowed), IV, I, IV, ii (borrowed), IV).

2. The Beach Boys, “God Only Knows”: (I, V, ii (borrowed), V, I, V, ii (borrowed), V)

Note that while these examples showcase a similar use of borrowed minor chords like that of The Beatles’ song, they employ it in their own unique pattern and sequence, yielding different melodic and harmonic results.

Musical Analysis

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The song has a moderate tempo and is set in a simple 4/4 time signature. It is accompanied by a repetitive drumbeat and piano accompaniment. The verses contain a consistent chord progression of E-B-F#m-F#m-B-E, which includes borrowed chords that add a layered and interesting dynamic to the piece of music.

In the context of the song, the F#m represents a shift in mood that complements the lyrics’ emotional content, while the alternating E and B major chords generate movement and harmonic interest throughout the song.

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Overall Analysis

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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Style Analysis

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Characteristic of The Beatles’ later work, “With A Little Help From My Friends” blends traditional pop harmonies with more complex chord progressions and subtle shifts in tone – a testament to their innovative and forward-thinking approach to composition. The overall tonal color of the song isn’t just about the chord progressions – it’s also about the arrangement, the instrumentation, and the vocal performance, all of which come together to create the distinctive “Beatles sound”.

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Chords in the Verse 1 section of With A Little Help From My Friends by The Beatles are:

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]