Music Theory Alchemy

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The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

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The overall chord progression of “A Hard Days Night” by The Beatles fluctuates between major and minor keys which adds a level of emotional complexity to the song. The use of borrowed chords and unique transitions makes it a noteworthy piece in the realm of 20th-century popular music.

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The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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The Beatles – With A Little Help From My Friends – Verse 1

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Chord Progression

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

Chord Progression Analysis

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For the verse: [‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]

“`
E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)

E Major (‘I’)
B Major (‘V’)
F# Minor (‘ii’) borrowed chord from E major
F# Minor (‘ii’) borrowed chord from E major
B Major (‘V’)
E Major (‘I’)
“`

The progression is a classic I-V-ii-ii progression repeated twice per line. The F#m is interesting as it is borrowed from E major, making it a borrowed chord or borrowed minor from the major key of the song.

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Similar Chord Progressions

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1. The Monkees, “I’m a Believer”: (I, IV, ii (borrowed), IV, I, IV, ii (borrowed), IV).

2. The Beach Boys, “God Only Knows”: (I, V, ii (borrowed), V, I, V, ii (borrowed), V)

Note that while these examples showcase a similar use of borrowed minor chords like that of The Beatles’ song, they employ it in their own unique pattern and sequence, yielding different melodic and harmonic results.

Musical Analysis

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The song has a moderate tempo and is set in a simple 4/4 time signature. It is accompanied by a repetitive drumbeat and piano accompaniment. The verses contain a consistent chord progression of E-B-F#m-F#m-B-E, which includes borrowed chords that add a layered and interesting dynamic to the piece of music.

In the context of the song, the F#m represents a shift in mood that complements the lyrics’ emotional content, while the alternating E and B major chords generate movement and harmonic interest throughout the song.

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Overall Analysis

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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Style Analysis

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Characteristic of The Beatles’ later work, “With A Little Help From My Friends” blends traditional pop harmonies with more complex chord progressions and subtle shifts in tone – a testament to their innovative and forward-thinking approach to composition. The overall tonal color of the song isn’t just about the chord progressions – it’s also about the arrangement, the instrumentation, and the vocal performance, all of which come together to create the distinctive “Beatles sound”.

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Chords in the Verse 1 section of With A Little Help From My Friends by The Beatles are:

[‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’, ‘E’, ‘B’, ‘F#m’, ‘F#m’, ‘B’, ‘E’]