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Related Music Theory Alchemy

“Strawberry Fields Forever” by The Beatles is written in the key of A Major and features 4/4 time signature. The chord progression for Chorus 3, which you’ve mentioned, is quite sophisticated and creative, exhibiting the Beatles’ aptitude for blending conventional pop harmony with more unexpected changes, drawn from their broad palette of influences and their willingness to experiment.

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

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The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

The Beatles – Strawberry Fields Forever – Verse 1

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

“`
‘E major’ (‘I chord’)
‘E major 7th’ (‘I maj7 chord’)
‘E dominant 7th’ (‘I7 chord’)
‘F# minor’ (‘ii chord’)
‘E major’ (‘I chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘D major’ (‘VII chord’) – Borrowed from E minor
‘E major’ (‘I chord’)
‘A major’ (‘IV chord’)
‘F# minor’ (‘ii chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘E major’ (‘I chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘A major’ (‘IV chord’)
“`

Similar Chord Progressions

1) ‘God Only Knows’ by The Beach Boys uses a similar technique of blending major and minor modes, allowing complex emotions to be expressed:
“`
‘A major’ (‘I chord’)
‘A major 7th’ (‘I maj7 chord’)
‘A7’ (‘I7 chord’)
‘D minor’ (‘iv chord’) – Borrowed from A minor
“`
2) ‘Bohemian Rhapsody’ by Queen also uses modal interchange and rapidly changing harmonies, an example of which is seen in this excerpt from the song’s introduction:
“`
‘Bb major’ (‘I chord’)
‘G minor’ (‘vi chord’)
‘C minor’ (‘ii chord’) – Borrowed from Bb minor
‘F major’ (‘V chord’)
“`

Musical Analysis

The song begins with the I chord, ‘E major’, which then undergoes a softening by transitioning into ‘E major 7th’ and further into ‘E dominant 7th’. This progression leads us into the ‘F# minor’, the ii chord, lending a dreamy and modally ambiguous air to the song. This is accentuated by the use of borrowed ‘D major’ chords, originated from E minor.

“Strawberry Fields Forever” alternates between E major and E minor modes, a technique known as Modal Interchange, which lends the song a distinctive and captivating sound.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a psychedelic rock song often regarded as one of their finest works. It’s innovative from both a melodic and harmonic perspective, using complex chord structures, chromatic touches, and key changes. The song is primarily in the key of E major.

Style Analysis

The Beatles are known for their innovative use of chords and progressions, blending major and minor modes to create unique soundscapes. “Strawberry Fields Forever” takes advantage of the distinctive sound of the Mellotron, an early keyboard instrument that uses taped loops of real instruments. The ethereal quality of the Mellotron underscored the modal interchange and chromaticism, typifying the aesthetics of the psychedelic era.

Chords in the Verse 1 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]