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“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

The Beatles – Strawberry Fields Forever – Verse 1

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

“`
‘E major’ (‘I chord’)
‘E major 7th’ (‘I maj7 chord’)
‘E dominant 7th’ (‘I7 chord’)
‘F# minor’ (‘ii chord’)
‘E major’ (‘I chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘D major’ (‘VII chord’) – Borrowed from E minor
‘E major’ (‘I chord’)
‘A major’ (‘IV chord’)
‘F# minor’ (‘ii chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘E major’ (‘I chord’)
‘D major’ (‘VII chord’) – Borrowed from E minor
‘A major’ (‘IV chord’)
“`

Similar Chord Progressions

1) ‘God Only Knows’ by The Beach Boys uses a similar technique of blending major and minor modes, allowing complex emotions to be expressed:
“`
‘A major’ (‘I chord’)
‘A major 7th’ (‘I maj7 chord’)
‘A7’ (‘I7 chord’)
‘D minor’ (‘iv chord’) – Borrowed from A minor
“`
2) ‘Bohemian Rhapsody’ by Queen also uses modal interchange and rapidly changing harmonies, an example of which is seen in this excerpt from the song’s introduction:
“`
‘Bb major’ (‘I chord’)
‘G minor’ (‘vi chord’)
‘C minor’ (‘ii chord’) – Borrowed from Bb minor
‘F major’ (‘V chord’)
“`

Musical Analysis

The song begins with the I chord, ‘E major’, which then undergoes a softening by transitioning into ‘E major 7th’ and further into ‘E dominant 7th’. This progression leads us into the ‘F# minor’, the ii chord, lending a dreamy and modally ambiguous air to the song. This is accentuated by the use of borrowed ‘D major’ chords, originated from E minor.

“Strawberry Fields Forever” alternates between E major and E minor modes, a technique known as Modal Interchange, which lends the song a distinctive and captivating sound.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a psychedelic rock song often regarded as one of their finest works. It’s innovative from both a melodic and harmonic perspective, using complex chord structures, chromatic touches, and key changes. The song is primarily in the key of E major.

Style Analysis

The Beatles are known for their innovative use of chords and progressions, blending major and minor modes to create unique soundscapes. “Strawberry Fields Forever” takes advantage of the distinctive sound of the Mellotron, an early keyboard instrument that uses taped loops of real instruments. The ethereal quality of the Mellotron underscored the modal interchange and chromaticism, typifying the aesthetics of the psychedelic era.

Chords in the Verse 1 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]