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“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

The Beatles’ “With A Little Help From My Friends” is in the key of E major and the coda chord progression special in its context. It is a clear example of a piece from the pop or rock genre exhibiting a distinctive use of chord progressions and modulation without adhering strictly to the classical traditions. Common prevailing characteristics of music by The Beatles are exemplified in this piece through its use of borrowed chords, chromatic mediants, and modal interchange, providing a distinct harmonic color and texture.

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

The Beatles – Strawberry Fields Forever – Chorus 1

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Chord Progression

[‘A’, ‘Em7’, ‘Em7’, ‘F#7’, ‘D’, ‘F#7’, ‘Dmaj7’, ‘A’]

Chord Progression Analysis

For Chorus 1, the chord progression is as follows:

“`
A(I),
Em7(vi7),
Em7(vi7),
F#7(VI7),
D(IV),
F#7(VI7),
Dmaj7(IVΔ7),
A(I)
“`

Notably, the F#7 is a chromatic non-diatonic chord. It serves as the secondary dominant leading to B minor; however, the progression unexpectedly goes to D, which creates an element of surprise. The Dmaj7 is a diatonic chord and is the major seventh of the IV chord.

Similar Chord Progressions

1. “She’s Leaving Home” by The Beatles also uses modal interchange, major seventh chords, and non-diatonic resolutions, particularly in its verse progression:
“`
E(I),
Amaj7(IVΔ7),
E(I),
F#7(VI7),
B(II),
E(I)
“`

2. Paul McCartney’s “Maybe I’m Amazed” has a similar harmonic complexity, incorporating repeated seventh chords among notably non-diatonic chords in its verse:
“`
A(I),
E/G#(V/vi),
F#m(VI),
D(VI/V),
E(V)
“`

3. “God Only Knows” by The Beach Boys is another example of complex harmonies, major seventh chords, and non-diatonic resolutions used in a pop context:
“`
A(I),
Abmin/Db(bVIIm/IIb),
Bm/B(VI),
E7(V7),
F#m(VI),
Gmaj7(bVIIΔ7),
Amaj7(IΔ7),
Db7(IVb7),
D(V),
E(VI),
A(I)
“`

Remember, while these chord progressions have similarities they are not the same. The artists utilize different methods to create harmonic interest.

Musical Analysis

The Beatles’ use of modal interchange—borrowing chords from parallel keys or modes—significantly adds to the complexity and distinctiveness of “Strawberry Fields Forever”. The Em7 is diatonic to A major, but its repetition and role as pre-dominant weakens the tonal center a bit. The F#7, a secondary dominant that should resolve to B minor, instead resolves to the subdominant chord D, adding unexpected tension and surprise. The Dmaj7 leads to the tonic but with a different color because of the raised seventh.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is an iconic psychedelic rock track marked with rich harmonies and sophisticated musical elements. The song is primarily constructed around the key of A, but it employs several modal mixtures and non-diatonic chords, contributing to its intriguing tonality.

Style Analysis

“Strawberry Fields Forever” is a compelling example of the Beatles’ innovative songwriting style during their psychedelic rock period, combining traditional song-form with more experimental harmonic structures. The song employs chromatism, modal interchange, and unexpected chord resolutions, which were uncommon in popular rock music during this era, demonstrating The Beatles’ evolution and challenging of popular music norms.

Chords in the Chorus 1 section of Strawberry Fields Forever by The Beatles are:

[‘A’, ‘Em7’, ‘Em7’, ‘F#7’, ‘D’, ‘F#7’, ‘Dmaj7’, ‘A’]