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Related Music Theory Alchemy

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“This Masquerade” by George Benson is a jazz/R&B fusion piece with a smooth and laid-back feel. It features a slightly chromatic and sophisticated chord progression, complete with altered extensions and slash chords, resulting in a rich harmonic texture that is both soulful and intricate. The progression has some similarities to other jazz and R&B chord progressions used by artists such as Stevie Wonder, Donald Fagen (of Steely Dan), and Antonio Carlos Jobim.

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

The Beatles – Something – Intro

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Chord Progression

[‘F’, ‘Eb’, ‘G/D’]

Chord Progression Analysis

“`
F Major (IV)
Eb Major (bIII : Borrowed Chord from the parallel minor)
G/D (V/vi)
“`

Similar Chord Progressions

An example of a song with a similar iv-bIII progression is Radiohead’s “Paranoid Android”. Their sixth studio LP “OK Computer” (1997) exhibits the band’s expansive understanding of harmony, similar in some areas to the Beatles.

“`
C# minor (i)
B major (VII : Borrowed Chord from the parallel Major)
A Major/E (VI)
“`

Another song is “Creep”, also by Radiohead, which makes use of the Major IV to a borrowed bIII:

“`
G Major (I)
B Major (III : Borrowed Chord from the parallel minor)
C Major (IV)
C Minor (iv: Borrowed Chord from the parallel minor)
“`

Thus, George Harrison’s songwriting on “Something” left a major imprint on the future of rock, pop, and other genres of music.

Musical Analysis

The song begins with a modulation from the Major IV chord (F) to a borrowed bIII chord (Eb), which is derived from the parallel minor key (C minor). The progression then moves to a V/vi (G/D), a secondary dominant preparation to transition to the vi chord later, which adds suspense and anticipation.

Overall Analysis

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

Style Analysis

“Something” is a great example of The Beatles’ genius for songwriting and their experimental approach to popular music. The modulation to a borrowed chord from the parallel minor key is a progressive move borrowed from classical music and jazz. It’s largely these unconventional decisions that set The Beatles’ compositions apart from other pop music of the era.

Chords in the Intro section of Something by The Beatles are:

[‘F’, ‘Eb’, ‘G/D’]