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Related Music Theory Alchemy

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

The Beatles – Something – Intro

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Chord Progression

[‘F’, ‘Eb’, ‘G/D’]

Chord Progression Analysis

“`
F Major (IV)
Eb Major (bIII : Borrowed Chord from the parallel minor)
G/D (V/vi)
“`

Similar Chord Progressions

An example of a song with a similar iv-bIII progression is Radiohead’s “Paranoid Android”. Their sixth studio LP “OK Computer” (1997) exhibits the band’s expansive understanding of harmony, similar in some areas to the Beatles.

“`
C# minor (i)
B major (VII : Borrowed Chord from the parallel Major)
A Major/E (VI)
“`

Another song is “Creep”, also by Radiohead, which makes use of the Major IV to a borrowed bIII:

“`
G Major (I)
B Major (III : Borrowed Chord from the parallel minor)
C Major (IV)
C Minor (iv: Borrowed Chord from the parallel minor)
“`

Thus, George Harrison’s songwriting on “Something” left a major imprint on the future of rock, pop, and other genres of music.

Musical Analysis

The song begins with a modulation from the Major IV chord (F) to a borrowed bIII chord (Eb), which is derived from the parallel minor key (C minor). The progression then moves to a V/vi (G/D), a secondary dominant preparation to transition to the vi chord later, which adds suspense and anticipation.

Overall Analysis

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

Style Analysis

“Something” is a great example of The Beatles’ genius for songwriting and their experimental approach to popular music. The modulation to a borrowed chord from the parallel minor key is a progressive move borrowed from classical music and jazz. It’s largely these unconventional decisions that set The Beatles’ compositions apart from other pop music of the era.

Chords in the Intro section of Something by The Beatles are:

[‘F’, ‘Eb’, ‘G/D’]