Music Theory Alchemy

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“Something” is composed in C Major; however, it modulates to several different keys. The song’s chord progression is relatively complex and less adherent to traditional tonality, typical of much of The Beatles’ work, particularly in their later years. Throughout the song, they make use of several common progressions, but with a few unique changes.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

“Sometimes It Snows In April” is commonly recognised as a hauntingly beautiful ballad that features gentle, intricate piano work and tender vocals. Musically, it explores a slightly complex harmonic structure that creates a profound emotive sound spectrum.

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

The Beatles – Something – Intro

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Chord Progression

[‘F’, ‘Eb’, ‘G/D’]

Chord Progression Analysis

“`
F Major (IV)
Eb Major (bIII : Borrowed Chord from the parallel minor)
G/D (V/vi)
“`

Similar Chord Progressions

An example of a song with a similar iv-bIII progression is Radiohead’s “Paranoid Android”. Their sixth studio LP “OK Computer” (1997) exhibits the band’s expansive understanding of harmony, similar in some areas to the Beatles.

“`
C# minor (i)
B major (VII : Borrowed Chord from the parallel Major)
A Major/E (VI)
“`

Another song is “Creep”, also by Radiohead, which makes use of the Major IV to a borrowed bIII:

“`
G Major (I)
B Major (III : Borrowed Chord from the parallel minor)
C Major (IV)
C Minor (iv: Borrowed Chord from the parallel minor)
“`

Thus, George Harrison’s songwriting on “Something” left a major imprint on the future of rock, pop, and other genres of music.

Musical Analysis

The song begins with a modulation from the Major IV chord (F) to a borrowed bIII chord (Eb), which is derived from the parallel minor key (C minor). The progression then moves to a V/vi (G/D), a secondary dominant preparation to transition to the vi chord later, which adds suspense and anticipation.

Overall Analysis

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

Style Analysis

“Something” is a great example of The Beatles’ genius for songwriting and their experimental approach to popular music. The modulation to a borrowed chord from the parallel minor key is a progressive move borrowed from classical music and jazz. It’s largely these unconventional decisions that set The Beatles’ compositions apart from other pop music of the era.

Chords in the Intro section of Something by The Beatles are:

[‘F’, ‘Eb’, ‘G/D’]