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The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

The Beatles – Rocky Raccoon – Verse 4

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii), Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii)

The full chords are:

“`
Am7 – A-minor 7th
D7sus4 – D major dominant 7th (suspended 4th)
D7 – D major dominant 7th
G7 – G major dominant 7th
C – C major
C/B – C major / B (inversion)
“`

There are no outright borrowed chords, as each chord belongs in the key of G major, but there are two chord alterations. The D7sus4 (suspended 4th) that resolves to D7 introduces tension, and the G7 is a dominant 7th in the root position, rather than the typical tonal resolution from a V7 or V7sus4 chord to a I chord.

Similar Chord Progressions

The ii-V-I progression is one of the most common progressions in jazz and pops up a lot in popular music as well. Songs like “Creep” by Radiohead (G – B – C – Cm) and “Run Away with Me” by Carly Rae Jepsen (G – B – Am – G – B) contain similar elements to the ii-V-I progression found in “Rocky Raccoon”, though they are in different keys.

For “Creep”:
“`
G (I), B (III), C (IV), Cm (iv)
“`
For “Run Away with Me”:
“`
G (I), B (III), Am (ii), G (I), B (III)
“`

Musical Analysis

In the chord progression, you can see a clear ii-V-I progression (Am7-D7-G7) that is very popular in jazz, making the music trickier than the typical pop I-IV-V or ii-V-I progression. The C/B chord is an inversion of the C chord that creates a descending bass line from C to B to Am7, offering a sense of forward motion and driving the progression back to the beginning of the cycle.

Overall Analysis

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

Style Analysis

“Rocky Raccoon” by The Beatles reflects their talent for seamlessly mixing different musical influences. The verse chord progression has a folk or country flavor, emphasized by the G7 and C/B chords, with some jazz influences in the ii-V-I progression.

Chords in the Verse 4 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]