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Related Music Theory Alchemy

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

The Beatles – Rocky Raccoon – Verse 4

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii), Am7 (ii7), D7sus4 (V7sus4), D7 (V7), G7 (I7), C (IV), C/B (IV/iii)

The full chords are:

“`
Am7 – A-minor 7th
D7sus4 – D major dominant 7th (suspended 4th)
D7 – D major dominant 7th
G7 – G major dominant 7th
C – C major
C/B – C major / B (inversion)
“`

There are no outright borrowed chords, as each chord belongs in the key of G major, but there are two chord alterations. The D7sus4 (suspended 4th) that resolves to D7 introduces tension, and the G7 is a dominant 7th in the root position, rather than the typical tonal resolution from a V7 or V7sus4 chord to a I chord.

Similar Chord Progressions

The ii-V-I progression is one of the most common progressions in jazz and pops up a lot in popular music as well. Songs like “Creep” by Radiohead (G – B – C – Cm) and “Run Away with Me” by Carly Rae Jepsen (G – B – Am – G – B) contain similar elements to the ii-V-I progression found in “Rocky Raccoon”, though they are in different keys.

For “Creep”:
“`
G (I), B (III), C (IV), Cm (iv)
“`
For “Run Away with Me”:
“`
G (I), B (III), Am (ii), G (I), B (III)
“`

Musical Analysis

In the chord progression, you can see a clear ii-V-I progression (Am7-D7-G7) that is very popular in jazz, making the music trickier than the typical pop I-IV-V or ii-V-I progression. The C/B chord is an inversion of the C chord that creates a descending bass line from C to B to Am7, offering a sense of forward motion and driving the progression back to the beginning of the cycle.

Overall Analysis

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

Style Analysis

“Rocky Raccoon” by The Beatles reflects their talent for seamlessly mixing different musical influences. The verse chord progression has a folk or country flavor, emphasized by the G7 and C/B chords, with some jazz influences in the ii-V-I progression.

Chords in the Verse 4 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]