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Related Music Theory Alchemy

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

The Beatles – Let It Be – Verse 3

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

“`
C Major (I)
G Major (V)
A minor (vi)
A minor/G (vi)
F Major 7 (IV)
F6 (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major/E (I)
D minor 7 (ii)
C Major (I)
“`

Similar Chord Progressions

1. The hangover track “For No One” also by The Beatles
“`
C Major (I)
A minor (vi)
D minor 7 (ii)
G Major (V)
“`
2. The song “Perfect” from Ed Sheeran
“`
G Major (I)
E minor (vi)
C Major (IV)
D Major (V)
“`
3. “High Hopes” from Kodaline
“`
C Major (I)
A minor (vi)
F Major (IV)
G Major (V)
“`

Musical Analysis

The song is built around a classic “IV-I-V-vi” pattern, contributing to its universal and easy-listening appeal. The Am/G (vi) chord is a more sophisticated version of the more common Am chord and adds an ethereal touch to the progression. The Fmaj7 (IV) adds a slight tension before resolving back to the tonic. The F6 (IV) adds color and variety to the progression. The Dm7 (ii) chord adds a different type of tension that nicely resolves back to the tonic.

Overall Analysis

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

Style Analysis

The Beatles often used conventional chord progressions but with twists, either incorporating sophisticated borrowed chords or switching chord inversions. They also often used non-diatonic chords to add color and emotional depth to their songs. “Let It Be” is a great example of this. It’s important to note that the primary hook of the song is not only in the chord progression but also in the melody and the lyrical content – a hallmark of The Beatles’ songwriting style.

Chords in the Verse 3 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]