Search

Related Music Theory Alchemy

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The Beatles – I Will – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]

Chord Progression Analysis

C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G7 (V7)’, ‘C (I)’, ‘Am (vi)’, ‘Em (iii)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘Am (vi)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G(sus4) (Vsus4)’

Borrowed Chords:
“`
‘C7 (I7)’
“`

Similar Chord Progressions

One common progression that shares some similarities with “I Will” is the progression used in “Earth Angel” by The Penguins:

‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Cm7 (ii7)’, ‘F7 (V7)’, ‘Bb (IV)’, ‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Ab (bVII)’, ‘Eb (I)’

The key difference here is a bVII (Ab) chord, which acts as a borrowed chord from the key of Eb minor. It sidesteps the expected V chord and leads back to the I chord for the next repetition of the progression. This chord, similar to the borrowed chords in ‘I Will’, gives the progression an added color and complexity.

Musical Analysis

The underlying structure of ‘I Will’ showcases an interesting use of several common progressions and cadences within the key of C major. The use of a I-vi-ii-V cycle provides a strong forward momentum to the progression, propelling it towards the repetition. The I7 (C7) chord is a secondary dominant, specifically a V/IV that serves as a pivot chord to introduce the IV (F) chord. This adds an unexpected twist that enhances the harmonic interest of the song.

Overall Analysis

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

Style Analysis

The Beatles’ “I Will” is marked by its simplicity and economy. Its chord progression echoes a familiar rock/pop tradition but does so with an inventiveness that betrays the group’s strong understanding of harmonic function. The occasional unexpected modulations and heavily syncopated vocal melodies give the song a unique twist within the pop genre.

Chords in the Verse 1 section of I Will by The Beatles are:

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]