Search

Related Music Theory Alchemy

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.

Verse 1

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

The Beatles – I Will – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]

Chord Progression Analysis

C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G7 (V7)’, ‘C (I)’, ‘Am (vi)’, ‘Em (iii)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘Am (vi)’, ‘C7 (I7)’, ‘F (IV)’, ‘G (V)’, ‘C (I)’, ‘Am (vi)’, ‘Dm7 (ii7)’, ‘G(sus4) (Vsus4)’

Borrowed Chords:
“`
‘C7 (I7)’
“`

Similar Chord Progressions

One common progression that shares some similarities with “I Will” is the progression used in “Earth Angel” by The Penguins:

‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Cm7 (ii7)’, ‘F7 (V7)’, ‘Bb (IV)’, ‘Eb (I)’, ‘Bb/D (V/iii)’, ‘Ab (bVII)’, ‘Eb (I)’

The key difference here is a bVII (Ab) chord, which acts as a borrowed chord from the key of Eb minor. It sidesteps the expected V chord and leads back to the I chord for the next repetition of the progression. This chord, similar to the borrowed chords in ‘I Will’, gives the progression an added color and complexity.

Musical Analysis

The underlying structure of ‘I Will’ showcases an interesting use of several common progressions and cadences within the key of C major. The use of a I-vi-ii-V cycle provides a strong forward momentum to the progression, propelling it towards the repetition. The I7 (C7) chord is a secondary dominant, specifically a V/IV that serves as a pivot chord to introduce the IV (F) chord. This adds an unexpected twist that enhances the harmonic interest of the song.

Overall Analysis

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

Style Analysis

The Beatles’ “I Will” is marked by its simplicity and economy. Its chord progression echoes a familiar rock/pop tradition but does so with an inventiveness that betrays the group’s strong understanding of harmonic function. The occasional unexpected modulations and heavily syncopated vocal melodies give the song a unique twist within the pop genre.

Chords in the Verse 1 section of I Will by The Beatles are:

[‘C’, ‘Am’, ‘Dm7’, ‘G7’, ‘C’, ‘Am’, ‘Em’, ‘C7’, ‘F’, ‘G’, ‘Am’, ‘C7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G(sus4)’]